Miles Davis: Ascenseur Pour L'Echafaud (180g) auf 2 LPs
Ascenseur Pour L'Echafaud (180g)
2
LPs
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
Vinyl liefern wir innerhalb Deutschlands immer portofrei.
- Label:
- Music On Vinyl, 1958
- Artikelnummer:
- 9921019
- UPC/EAN:
- 0600753356630
- Erscheinungstermin:
- 22.9.2011
- Serie:
- Music On Vinyl
Weitere Ausgaben von Ascenseur Pour L'Echafaud |
Preis |
---|---|
LP, (180g) (Limited Edition) | EUR 24,99* |
LP, (180g) (Limited Edition) (Colored Vinyl) | EUR 22,99* |
LP, (180g) | EUR 21,99* |
CD, (Jazz Images) | EUR 9,99* |
CD | EUR 12,99* |
LP, (180g) (Limited Edition) | EUR 21,99* |
CD | EUR 11,99* |
LP, (Special Edition) (Yellow Vinyl) | EUR 21,99* |
LP, (180g) (Limited Edition) (Red Vinyl) +1 Bonus Track | EUR 22,99* |
CD, (SHM-CD), Japan-Import | EUR 17,99* |
*** Gatefold Cover
- Gesamtverkaufsrang: 7457
- Verkaufsrang in LPs: 2622
Produkttext
»Ascenseur Pour L'Échafaud«, in Deutschland berühmt als »Fahrstuhl zum Schafott«, ist ein legendärer Kriminalfilm, der auch nach 60 Jahren noch zu fesseln vermag. Louis Malles Meisterwerk von 1958, mit schauspielerischen Glanzleistungen von Jeanne Moreau und Maurice Ronet, gehört zu den absoluten Klassikern des Genres.
Ascenseur Pour L'échafaud is a 1958 French film directed by Louis Malle. It was released as "Lift to the Scaffold" in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, René Urtreger / piano, Pierre Michelot – bass and Kenny Clarke – drums) to the recording studio "Le Poste Parisien Studio" without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually "Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.
Product Information
Ascenseur Pour L'échafaud is a 1958 French film directed by Louis Malle. It was released as "Lift to the Scaffold" in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, René Urtreger / piano, Pierre Michelot – bass and Kenny Clarke – drums) to the recording studio "Le Poste Parisien Studio" without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually "Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.
-
Tracklisting
-
Mitwirkende
Die Hörproben gehören zum Artikel Miles Davis (1926-1991): Ascenseur Pour L'Echafaud (Blu-ray Audio). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
-
1 Generique
-
2 L'assassinat De Carala
-
3 Sur L'autoroute
-
4 Julien Dans L'ascenseur
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5 Florence Sur Les Champs-Elysees
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6 Diner Au Motel
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7 Evasion De Julien
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8 Visite Du Vigile
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9 Au Bar Du Petit Bac
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10 Chez Le Photographe Du Mot
LP
-
1 Nuit Sur Les Champs-Elysees (Take 1)
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2 Nuit Sur Les Champs-Elysees (Take 2)
-
3 Nuit Sur Les Champs-Elysees (Take 3)
-
4 Nuit Sur Les Champs Elysees (Take 4)
-
5 Assassinat Visite Du Vigil
-
6 Assassinat Julien Dans L'ascenseur
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7 Assassinat L'assassinat De Carala
-
8 Motel
-
9 Final (Take 1)
-
10 Final (Take 2)
-
11 Final (Take 3)
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12 Ascenseur
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13 Le Petit Bal (Take 1)
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14 Le Petit Bal (Take 2)
-
15 Sequence Voiture (Take 1)
-
16 Sequence Voiture Sur L'aut (Take 2)
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