Bill Evans (Piano): From Left To Right
From Left To Right
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Derzeit nicht erhältlich.
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- Label: Verve, 1969-70
- Erscheinungstermin: 1.5.1999
Weitere Ausgaben von From Left To Right
- EUR 27,99* Bill Evans (Piano) (1929-1980): From Left To Right (Limited Edition) (White Vinyl) LP, (Limited Edition) (White Vinyl)
- EUR 17,99* Bill Evans (Piano) (1929-1980): From Left To Right (+Bonus) (SHM-CD) CD, (+Bonus) (SHM-CD), Japan-Import
- EUR 24,99* Bill Evans (Piano) (1929-1980): From Left To Right (UHQ-CD/MQA-CD) CD, (UHQ-CD/MQA-CD), Japan-Import
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VERVE BY REQUEST
+ Sam Brown, Marty Morell, Mickey Leonard,
Eddie Gomez u.a.
Eddie Gomez u.a.
»From Left to Right« gehört zu Evans' fesselndsten "verlorenen" Aufnahmen. Glücklicherweise hat das Label Verve das Album aus dem Jahr 1969 im Rahmen seiner »By Request«-Serie aus der Versenkung geholt. Anders als sonst spielt Evans hier zugleich Klavier und Fender Rhodes und entwickelt Themen und Improvisationen von erlesenem Geschmack – und wie immer außergewöhnlichem Geschick. Ein Album für Jazz- und Easy-Listening-Fans gleichermaßen, das mit seinen Bossa-Nova-Klängen im bestem Sinne an die Zusammenarbeit von Jobim und Ogerman erinnert.
Inventor Harold Rhodes pays tribute in the notes to Bill Evans's mastery of Rhodes's electric piano. And Evans skillfully shifts from playing electric to acoustic and back again -- sometimes within one track. But it's "The Dolphin," presented both before and after the flutes, strings, and percussion have been innovatively overlayed, that epitomizes this singular entry in Evans's celebrated discography.
This rare album is augmented here by four bonus tracks, culled from the remastered 18-CD The Complete Bill Evans on Verve.
Original recordings produced by Helen Keane
Tracks 1 and 3 recorded April or May 1970 at A&R Studios, New York City; tracks 4 and 10-13 recorded March 26, 1970 in san Francisco; this session was held to record the basic quartet tracks on which Leonard's orchestrations were to be layered. Most of the tracks were not used, but some (tracks 10-13) are included here as "sketches" for the final versions. Track 5 recorded March 28, 1970 in San Francisco with electric bass overdub on May 27, 1970 at RCA Studios, New York City; track 6 recorded March 28, 1970 in San Francisco with additional overdub session on April 23, 1970 at RCA Studios, New York City; track 7 recorded April 23, 1970 at RCA Studios, New York City. On tracks 2, 8, and 9, music from some or all of the following sessions contributed to the tracks: October 14, 1969 at Media Sounds Studios, New York City; October 21, 1969 at Media Sounds Studios, New York City; November 13, 1969 at Century Sound, New York City; April 23, 1970 at RCA Studios, New York City; April 29, 1970 at RCA Recording Studios, New York City; May 1, 1970, at A&R Recording, New York City.
Inventor Harold Rhodes pays tribute in the notes to Bill Evans's mastery of Rhodes's electric piano. And Evans skillfully shifts from playing electric to acoustic and back again -- sometimes within one track. But it's "The Dolphin," presented both before and after the flutes, strings, and percussion have been innovatively overlayed, that epitomizes this singular entry in Evans's celebrated discography.
This rare album is augmented here by four bonus tracks, culled from the remastered 18-CD The Complete Bill Evans on Verve.
Original recordings produced by Helen Keane
Tracks 1 and 3 recorded April or May 1970 at A&R Studios, New York City; tracks 4 and 10-13 recorded March 26, 1970 in san Francisco; this session was held to record the basic quartet tracks on which Leonard's orchestrations were to be layered. Most of the tracks were not used, but some (tracks 10-13) are included here as "sketches" for the final versions. Track 5 recorded March 28, 1970 in San Francisco with electric bass overdub on May 27, 1970 at RCA Studios, New York City; track 6 recorded March 28, 1970 in San Francisco with additional overdub session on April 23, 1970 at RCA Studios, New York City; track 7 recorded April 23, 1970 at RCA Studios, New York City. On tracks 2, 8, and 9, music from some or all of the following sessions contributed to the tracks: October 14, 1969 at Media Sounds Studios, New York City; October 21, 1969 at Media Sounds Studios, New York City; November 13, 1969 at Century Sound, New York City; April 23, 1970 at RCA Studios, New York City; April 29, 1970 at RCA Recording Studios, New York City; May 1, 1970, at A&R Recording, New York City.
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 What Are You Doing The Rest Of Your Life?
- 2 I'm All Smiles
- 3 Why Did I Choose You? (Master Take)
- 4 Soiree
- 5 The Dolphin - Before (Master Edited)
- 6 The Dolphin - After
- 7 Lullaby For Helene (Master Take)
- 8 Like Someone In Love
- 9 Children's Play Song
- 10 What Are You Doing The Rest Of Your Life? (Complete Take 7)
- 11 Why Did I Choose You? (Complete Take 14)
- 12 Soiree (Complete Take 3)
- 13 Lullaby For Helene
