Richard Strauss: Sämtliche Klavierlieder Vol.2
Sämtliche Klavierlieder Vol.2
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Artikel am Lager
-50%
EUR 19,99**
EUR 9,99*
*Sonderpreis gültig solange Artikel am Lager
- Die Nacht op. 10 Nr. 3; Geduld op. 10 Nr. 5; Mein Herz ist stumm op. 19 Nr. 6; All mein Gedanken op. 21 Nr. 1; Du meines Herzens Krönelein op. 21 Nr. 2; Ach Lieb, ich muß nun scheiden op. 21 Nr. 3; O wärst du mein! op. 26 Nr. 2; Ruhe, meine Seele! op. 27 Nr. 1; Traum durch die Dämmerung op. 29 Nr. 1; Schlagende Herzen op. 29 Nr. 2; Nachtgang op. 29 Nr. 3; Blauer Sommer op. 31 Nr. 1; Weißer Jasmin op. 31 Nr. 3; Das Rosenband op. 36 Nr. 1; Waldseligkeit op. 49 Nr. 1; In goldener Fülle op. 49 Nr. 2; Wiegenliedchen op. 49 Nr. 3; Wer lieben will, muß leiden op. 49 Nr. 7; Ach, was Kummer, Qual und Schmerzen op. 49 Nr. 8; Blindenklage op. 56 Nr. 2; Drei Lieder der Ophelia op. 67
- Künstler: Anne Schwanewilms, Roger Vignoles
- Label: Hyperion, DDD, 2006
- Bestellnummer: 7378034
- Erscheinungstermin: 25.5.2007
Product-Information:
Strauss’s Drei Lieder der Ophelia have an inauspicious genesis. They were dashed off (together with three settings from Goethe’s Bücher des Unmuts—The Books of Bad Temper) in the throes of a legal battle with his publisher. Clearly Strauss hoped that three mad songs and three bad-tempered songs would represent a suitably poisoned chalice for his arch-enemy. But in the case of the three mad songs, they have proved highly effective in the concert hall, especially when performed by a great singing actress such as Anne Schwanewilms, whose dramatic and vocal gifts are highlighted in this, the second volume of the complete Strauss Lieder. The selection begins, like Volume One, in the familiar territory of Opus 10, and proceeds chronologically through to the Ophelia-Lieder, on the way taking in many songs that will be less well known—if they are known at all. Highlights among them should certainly be the impassioned and dramatic O wärst du mein!, the delightful miniatures of Weißer Jasmin and Wiegenliedchen, the two Alsatian folksongs, and not least the remarkable Blindenklage. Anne Schwanewilms is one of the greatest Strauss sopranos on the opera stage today, performing many major roles under Simon Rattle, Colin Davis, Andrew Davis, Semyon Bychkov and Mark Elder. This is her debut recording for Hyperion.
Rezensionen
'Schwanewilms sings Das Rosenband with an easy grace that disguises her iron technique, and Waldseligkeit as if to prove that there are few purer excitements than the long-held note' (The Times)
'The German soprano Anne Schwanewilms has a deep understanding of the complexity and layering of Strauss songs. Roger Vignoles, meanwhile, accompanies with his usual skill, never overshadowing his partner' (Scotland on Sunday)
'Schwanewilms' crystal voice is perfectly suited to the works as she shapes each phrase with heartfelt feeling. From the opening 'Die Nacht' on, every song is a gem' (Northern Echo)
'A highly rewarding recital, then, which will certainly enhance the reputation of this soprano and ought to broaden the repertoire of Strauss’s songs which are heard in the recital-room' (ClassicalSource. com)
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Die Nacht op. 10 Nr. 3
- 2 Geduld op. 10 Nr. 5
- 3 Mein Herz ist stumm op. 19 Nr. 6
- 4 All' mein Gedanken op. 21 Nr. 1
- 5 Du meines Herzens Krönelein op. 21 Nr. 2
- 6 Ach Lieb, ich muß nun scheiden op. 21 Nr. 3
- 7 O wärst du mein! op. 26 Nr. 2
- 8 Ruhe, meine Seele! op. 27 Nr. 1
- 9 Traum durch die Dämmerung op. 29 Nr. 1
- 10 Schlagende Herzen op. 29 Nr. 2
- 11 Nachtgang op. 29 Nr. 3
- 12 Blauer Sommer op. 31 Nr. 1
- 13 Weißer Jasmin op. 31 Nr. 3
- 14 Das Rosenband op. 36 Nr. 1
- 15 Waldseligkeit op. 49 Nr. 1
- 16 In goldener Fülle op. 49 Nr. 2
- 17 Wiegenliedchen op. 49 Nr. 3
- 18 Wer lieben will, muß leiden op. 49 Nr. 7
- 19 Ach, was Kummer, Qual und Schmerzen op. 49 Nr. 8
- 20 Blindenklage op. 56 Nr. 2
Lieder der Ophelia op. 67 Nr. 1-3
- 21 Nr. 1: Wie erkenn' ich mein Treulieb?
- 22 Guten Morgen, 's ist Sankt Valentinstag
- 23 Nr. 3: Sie trugen ihn auf der Bahre bloß
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