Teorema (1968) (Blu-ray & DVD) (UK Import)
Teorema (1968) (Blu-ray & DVD) (UK Import)
1 Blu-ray Disc, 1 DVD
Blu-Ray Disc
Die Blu-Ray wurde als High-Definition-Nachfolger der DVD entwickelt und bietet ihrem Vorläufer gegenüber eine erheblich gesteigerte Datenrate und Speicherkapazität. Auf Blu-Rays können daher Filme mit deutlich besserer Auflösung gespeichert werden und bieten auf entsprechenden Bildschirmen eine enorm hohe Bildqualität. Blu-Ray-Player sind in der Regel abwärtskompatibel zu DVDs, so dass auch diese abgespielt werden können.
DVDDie meisten angebotenen DVDs haben den Regionalcode 2 für Europa und das Bildformat PAL. Wir bieten aber auch Veröffentlichungen aus den USA an, die im NTSC-Format und mit dem Ländercode 1 auf den Markt kommen. Dies ist dann in unseren Artikeldetails angegeben.
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-12%
EUR 24,99**
EUR 21,99*
- Italien, 1968
-
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Infos zu Titeln ohne Jugendfreigabe - Bestellnummer: 2612138
- Erscheinungstermin: 27.5.2013
- Serie: BFI (British Film Institute)
-
Genre:
Drama
Spieldauer: 94 Min. - Regie: Pier Paolo Pasolini
- Darsteller: Terence Stamp, Silvana Mangano, Massimo Girotti, Anne Wiazemsky
- Filmmusik: Mozart/Morricone
- Deutscher Titel: Teorema - Geometrie der Liebe (1968)
- Sprache: Italienisch, Englisch
- Bild: Widescreen
- Untertitel: Englisch
Released on Blu-ray for the first time in the UK, in this Dual Format Edition, the BFI presents Pasolini’s Theorem complete and uncut in a new high-definition digital transfer with restored picture and sound. It is accompanied by a new interview with Terence Stamp, and a feature commentary.
A handsome, enigmatic stranger (Terence Stamp) arrives at a bourgeois household in Milan and successively seduces the son, the mother, the daughter and the father, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs. Unable to endure the void left in their lives, the father (Massimo Girotti) hands over his factory to the workers, the son (Andrs Jos Cruz) abandons his vocation as a painter, the mother (Silvana Mangano) abandons herself to random sexual encounters, and the daughter sinks into catatonia. The maid (Laura Betti, winner Best Actress, Venice 1968), however, becomes a saint.
In this cool, richly complex and provocative political allegory, Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Festival, Theorem was subsequently banned on an obscenity charge, but Pasolini later won an acquittal on grounds of the film's ‘high artistic value’.
A visually ravishing film, with superb performances from all the cast, it also has a brilliantly eclectic soundtrack - with music ranging from Mozart and Morricone to the natural sound of chirping birds.
Extras
Optional alternative English language soundtrack
Audio commentary by Italian film expert Robert Gordon
'An Interview with Terence Stamp' (2207, 34 mins, DVD only)
2013 theatrical release trailer
Fully illustrated booklet with essay by Geoffrey Nowell-Smith, review by Philip Strick and biographies of Pasolini and Stamp.
A handsome, enigmatic stranger (Terence Stamp) arrives at a bourgeois household in Milan and successively seduces the son, the mother, the daughter and the father, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs. Unable to endure the void left in their lives, the father (Massimo Girotti) hands over his factory to the workers, the son (Andrs Jos Cruz) abandons his vocation as a painter, the mother (Silvana Mangano) abandons herself to random sexual encounters, and the daughter sinks into catatonia. The maid (Laura Betti, winner Best Actress, Venice 1968), however, becomes a saint.
In this cool, richly complex and provocative political allegory, Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Festival, Theorem was subsequently banned on an obscenity charge, but Pasolini later won an acquittal on grounds of the film's ‘high artistic value’.
A visually ravishing film, with superb performances from all the cast, it also has a brilliantly eclectic soundtrack - with music ranging from Mozart and Morricone to the natural sound of chirping birds.
Extras
Optional alternative English language soundtrack
Audio commentary by Italian film expert Robert Gordon
'An Interview with Terence Stamp' (2207, 34 mins, DVD only)
2013 theatrical release trailer
Fully illustrated booklet with essay by Geoffrey Nowell-Smith, review by Philip Strick and biographies of Pasolini and Stamp.
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