Johann Sebastian Bach: Messe h-moll BWV 232
Messe h-moll BWV 232
Veronique Gens, Agnes Mellon, Andreas Scholl, Peter Kooy, Johannette Zomer, Christoph Pregardien, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe
3
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- +Motetten BWV 118, 225-230
- Künstler: Veronique Gens, Agnes Mellon, Andreas Scholl, Peter Kooy, Johannette Zomer, Christoph Pregardien, La Chapelle Royale, Collegium Vocale Gent, Philippe Herreweghe
- Label: harmonia mundi, DDD, 1997/1984
- Erscheinungstermin: 15.10.2010
Towards the highest summits
The Mass in B minor is the consecration of a whole life: started in 1733 for 'diplomatic' reasons, it was finished in the very last years of Bach's life, when he had already gone blind. This monumental work is a synthesis of every stylistic and technical contribution the Cantor of Leipzig made to music. But it is also the most astounding spiritual encounter between the worlds of Catholic glorification and the Lutheran cult of the cross. No other Mass, no other Requiem was ever again to reach such sublime summits. Instead of suffering from its heterogeneous qualities, the Mass in B minor turns them into the ultimate and most perfect expression of an architectural form that was 'dreamed, imagined, and finally realised' (A. Basso).
(HMC 901614.15)
These titles were released for the first time in 1986 (HMC 901231) and 1998 (HMC 901614.15).
The Mass in B minor is the consecration of a whole life: started in 1733 for 'diplomatic' reasons, it was finished in the very last years of Bach's life, when he had already gone blind. This monumental work is a synthesis of every stylistic and technical contribution the Cantor of Leipzig made to music. But it is also the most astounding spiritual encounter between the worlds of Catholic glorification and the Lutheran cult of the cross. No other Mass, no other Requiem was ever again to reach such sublime summits. Instead of suffering from its heterogeneous qualities, the Mass in B minor turns them into the ultimate and most perfect expression of an architectural form that was 'dreamed, imagined, and finally realised' (A. Basso).
(HMC 901614.15)
These titles were released for the first time in 1986 (HMC 901231) and 1998 (HMC 901614.15).
Rezensionen
A. Beaujean in stereoplay 5/98: "Unterm Strich gut gemacht und exzellent aufgenommen." M. Hengelbrock in KLASSIK heute 5/98: "Jeder Satz wird ohne Profilierungssucht sehr genau, detailliert und ausgewogen gestaltet, die Arbeit mit dem Chor besticht durch ihre kontrapunktische Klarheit."- Tracklisting
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
Disk 2
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
- 13 Track 13
- 14 Track 14
- 15 Track 15
Disk 3
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
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