Giovanni Battista Sammartini: Kantaten
Kantaten
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- "Della Passione di Gesu Cristo";"L'addolorata Divina Madre"
- Artikelnummer:
- 1675926
- Künstler:
- Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Symphonica Ensemble, Daniele Ferrari
- Label:
- Naxos, DDD, 2005
- Artikelnummer:
- 1675926
- UPC/EAN:
- 0747313025473
- Erscheinungstermin:
- 18.9.2006
Sowohl die Struktur als auch der Stil sind in beiden Kantaten gleich: Die Vokalstimmen zeigen eine typisch italienische, opernartige Virtuosität, während wir in der instrumentalen Textur, mit einem Orchester aus Oboen, Hörnern und Streichern, Sammartinis symphonische Merkmale erkennen. Was den Zeitgenossen Sammartinis auffiel, war die rhythmische Vitalität und das Streben nach Kontrasten, kurz gesagt, der Charakter des Komponisten, der sich unmittelbar von der Musik abhob. Auch dem modernen Hörer bietet Sammartini eine musikalische Sprache, die noch immer überraschend und herausfordernd ist.
The structure, as well as the style, is the same in both cantatas: the vocal parts show a typically Italian, operatic virtuosity, while in the instrumental texture, with an orchestra of oboes, horns and strings, we recognise Sammartini’s symphonic characteristics. What struck Sammartini’s contemporaries was the rhythmic vitality and the pursuit of contrasts, in short, the composer’s character, which stood out immediately from the music. To the modern listener, too, Sammartini offers a musical language which is still surprising and challenging.
Product Information
The structure, as well as the style, is the same in both cantatas: the vocal parts show a typically Italian, operatic virtuosity, while in the instrumental texture, with an orchestra of oboes, horns and strings, we recognise Sammartini’s symphonic characteristics. What struck Sammartini’s contemporaries was the rhythmic vitality and the pursuit of contrasts, in short, the composer’s character, which stood out immediately from the music. To the modern listener, too, Sammartini offers a musical language which is still surprising and challenging.
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
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1 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Introduction: Sinfonia
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2 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative I: Oh portenti, oh stupor! (Oh wonders, o
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3 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: S'alma illustre si nasconde (If a divine soul
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4 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative II: Tutto questo m'e noto (All of this I
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5 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: So che nel cor volgea (I know that in its hear
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6 Della Passione Di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative Iii: Di Cosi Ingrati Cori (If You Want Fu
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7 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: D'iniqua mente (He who has an evil mind) (Teno
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8 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative IV: Chi mai pensar potea (Who could imagi
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9 Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Finale: Chorus: Chi si colma il sen d'amore / He who
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10 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Introduction: Sinfonia
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11 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative I: Quanta pieta per le sventure altrui (How
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12 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non basto l'immenso affanno (More than the immen
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13 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative II: Oh qual da lunghi stenti amaro frutto (
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14 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Ben lo predisse (How true was the prediction) (S
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15 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative Iii: E Pur Di Qual Alma Forte (And Yet, Who
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16 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non cosi d'Alpe in cima (Not even an ancient oak
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17 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative IV: Tronchiam gl'indugi (Let us now delay n
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18 L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Finale: Madre purissima, Fonte d'Amore (Purest of Moth
