Classics Explained:Brahms,Klavierkonzert Nr.2
Classics Explained:Brahms,Klavierkonzert Nr.2
2
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Eine Werkeinführung in englischer Sprache mit einem 94-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
- Künstler: Jando, BRTN Philharmonic Orchestra Brussels, Rahbari
- Label: Naxos, DDD, 92
- Bestellnummer: 3665525
- Erscheinungstermin: 30.4.2001
- Tracklisting
- Mitwirkende
Disk 1 von 2 (CD)
- 1 Johannes Brahms: An Introduction to # BRAHMS: Introduction; opening horn call and piano's answer
- 2 Johannes Brahms: An Introduction to # BRAHMS: Rising three-note scalewise pattern
- 3 Johannes Brahms: An Introduction to # BRAHMS: Quicker, descending six-note 'answer'
- 4 Johannes Brahms: An Introduction to # BRAHMS: Second, answering phrase
- 5 Johannes Brahms: An Introduction to # BRAHMS: First Main Theme completed by orchestra
- 6 Johannes Brahms: An Introduction to # BRAHMS: Peace shattered as piano bursts back in like a tiger
- 7 Johannes Brahms: An Introduction to # BRAHMS: Variant of opening horn call in bass
- 8 Johannes Brahms: An Introduction to # BRAHMS: Orchestra returns; beginning of Exposition proper
- 9 Johannes Brahms: An Introduction to # BRAHMS: Big, 'singing' theme in orchestra; piano 'forgotten'
- 10 Johannes Brahms: An Introduction to # BRAHMS: Call to arms by strings; marshalling of orchestral forces
- 11 Johannes Brahms: An Introduction to # BRAHMS: Piano re-enters fry with massive expansion of opening figure
- 12 Johannes Brahms: An Introduction to # BRAHMS: Piano 'explores' two main facets of opening theme
- 13 Johannes Brahms: An Introduction to # BRAHMS: Transition. sense of key weakened. Piano and orchestra come together
- 14 Johannes Brahms: An Introduction to # BRAHMS: Piano and orchestra 'argue' over speed of thematic three-note rise
- 15 Johannes Brahms: An Introduction to # BRAHMS: Piano and orchestra in friendly dialogue before piano falls away
- 16 Johannes Brahms: An Introduction to # BRAHMS: 'Winged' harmonic shadow of pure pianistic tone-colour
- 17 Johannes Brahms: An Introduction to # BRAHMS: New 'transitional' theme from orchestra developed by piano
- 18 Johannes Brahms: An Introduction to # BRAHMS: After indecision and discussion, the mood suddenly turns playful
- 19 Johannes Brahms: An Introduction to # BRAHMS: Reminder of Second Main Theme in its original form
- 20 Johannes Brahms: An Introduction to # BRAHMS: Ttransfomation of Second Main Theme by piano
- 21 Johannes Brahms: An Introduction to # BRAHMS: Piano hijacks orchestra's 'call to arms'
- 22 Johannes Brahms: An Introduction to # BRAHMS: Piano and orchestra, now allies, explore theme, but with piano leading
- 23 Johannes Brahms: An Introduction to # BRAHMS: Dramatic eruption of orchestra leads to the Development section
- 24 Johannes Brahms: An Introduction to # BRAHMS: Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet
- 25 Johannes Brahms: An Introduction to # BRAHMS: Transformed 'tiger' theme amicably shared by piano and orchestra
- 26 Johannes Brahms: An Introduction to # BRAHMS: An apparently new theme - but Battlle Hymn of the Republic?
- 27 Johannes Brahms: An Introduction to # BRAHMS: Brief, downward-driving section prepares for the Recapitulation
- 28 Johannes Brahms: An Introduction to # BRAHMS: On the threshold of the Recapitulation
- 29 Johannes Brahms: An Introduction to # BRAHMS: Recapitulation: The Magical Return
- 30 Johannes Brahms: An Introduction to # BRAHMS: From Gate-crashing Tiger to Celestial Tenderness - and a surprise
- 31 Johannes Brahms: An Introduction to # BRAHMS: And unexpected and portentus change of mood, suggesting tragedy
- 32 Johannes Brahms: An Introduction to # BRAHMS: Summation
- 33 Johannes Brahms: An Introduction to # BRAHMS: First Movement (Complete)
- 34 Johannes Brahms: An Introduction to # BRAHMS: Second Movement: The upward-driving opening gambit, piano alone
- 35 Johannes Brahms: An Introduction to # BRAHMS: Downward-driving answer from lower strings
- 36 Johannes Brahms: An Introduction to # BRAHMS: Theme vs Melody
- 37 Johannes Brahms: An Introduction to # BRAHMS: Eerie, unharmonised, 'white' sound of Second Theme
- 38 Johannes Brahms: An Introduction to # BRAHMS: Second Theme taken up and developed by piano
- 39 Johannes Brahms: An Introduction to # BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
- 40 Johannes Brahms: An Introduction to # BRAHMS: Return (and transformation) of Theme Two
- 41 Johannes Brahms: An Introduction to # BRAHMS: Theme One returns in orchestra; Theme Three emerges in major mode
- 42 Johannes Brahms: An Introduction to # BRAHMS: Sequence of fragmentary episodes begins with unexpected fanfare
- 43 Johannes Brahms: An Introduction to # BRAHMS: Variant of Theme Three in piano
- 44 Johannes Brahms: An Introduction to # BRAHMS: Rescored variant of 'fanfare' theme; from grandeur to solemnity
- 45 Johannes Brahms: An Introduction to # BRAHMS: Rhapsodic variant of fanfare, this time for piano alone
- 46 Johannes Brahms: An Introduction to # BRAHMS: Recapitulation of opening, with piano and orchestra reversing roles
- 47 Johannes Brahms: An Introduction to # BRAHMS: Theme Two transformed by new instrumentation
- 48 Johannes Brahms: An Introduction to # BRAHMS: Cue and Second Movement (Complete)
Disk 2 von 2 (CD)
- 1 Johannes Brahms: An Introduction to # BRAHMS: Introduction, cue and First Main Theme
- 2 Johannes Brahms: An Introduction to # BRAHMS: Theme One taken up by strings and solo oboe; piano's entry
- 3 Johannes Brahms: An Introduction to # BRAHMS: Complex variant of Theme One with very different speed and rhythm
- 4 Johannes Brahms: An Introduction to # BRAHMS: Orchestra and piano in mixed variants of Theme One, now intensified
- 5 Johannes Brahms: An Introduction to # BRAHMS: Theme Two, hushed and 'tuneless', with piano, clarinets and strings
- 6 Johannes Brahms: An Introduction to # BRAHMS: Oboe Theme returns, now delicately embroidered by the piano
- 7 Johannes Brahms: An Introduction to # BRAHMS: Cue and Third Movement (Complete)
- 8 Johannes Brahms: An Introduction to # BRAHMS: Finale: Introduction, cue and Main Theme
- 9 Johannes Brahms: An Introduction to # BRAHMS: Violins take up tune, with winds and piano accompanying
- 10 Johannes Brahms: An Introduction to # BRAHMS: Piano introduces Part 2 of the main theme
- 11 Johannes Brahms: An Introduction to # BRAHMS: Part 3 of the theme, led by piano, in 'fiercely' self-confident mood
- 12 Johannes Brahms: An Introduction to # BRAHMS: First Episode, Part 1
- 13 Johannes Brahms: An Introduction to # BRAHMS: First Episode, Part 2
- 14 Johannes Brahms: An Introduction to # BRAHMS: Piano hands theme over to clarinets and bassoons
- 15 Johannes Brahms: An Introduction to # BRAHMS: First Episode, Part 3, in piano, first; then flutes and oboes
- 16 Johannes Brahms: An Introduction to # BRAHMS: Strings and flutes take theme, with bubbling commentary from piano
- 17 Johannes Brahms: An Introduction to # BRAHMS: Tipsy dancers (piano and winds) return, tiring; strings take over
- 18 Johannes Brahms: An Introduction to # BRAHMS: In the central Episode, the orchestra throws down a dramatic challenge
- 19 Johannes Brahms: An Introduction to # BRAHMS: ... to which the piano duly responds with a stormy outburst
- 20 Johannes Brahms: An Introduction to # BRAHMS: Piano kick-starts run-up to final section in a variant of the main theme
- 21 Johannes Brahms: An Introduction to # BRAHMS: Orchestra sets off on jaunty march, later joined by the piano
- 22 Johannes Brahms: An Introduction to # BRAHMS: Piano propels orchestra into final section
- 23 Johannes Brahms: An Introduction to # BRAHMS: Summation and cue to the movement as a whole
- 24 Johannes Brahms: An Introduction to # BRAHMS: Finale (Complete)
