The Allman Brothers Band: Eat A Peach on Super Audio CD
Eat A Peach
Super Audio CD
SACD (Super Audio CD)
The SACD uses a higher digital resolution than the audio CD and also offers the possibility to store multi-channel sound (surround sound). To enjoy the music in high-end quality, a special SACD player is required. Thanks to the hybrid function, most of the products marked "SACD" in our store can also be played on conventional CD players. In this case, however, the sound does not differ from that of a normal CD. In case of deviations, we point this out separately (non-hybrid).
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- Label:
- Mercury
- Year of recording ca.:
- 1972
- UPC/EAN:
- 0602498622506
- Release date:
- 13.7.2004
Other releases of Eat A Peach |
Price |
|---|---|
| CD | EUR 9.99* |
| 2 CDs, (Deluxe Edition) (Digipack) | EUR 38.99* |
| 2 LPs, (remastered) (180g) | EUR 34.99* |
| 2 LPs, (180g) (Limited Edition) (Light Pink & Light Blue Vinyl) | EUR 59.99* |
| 2 LPs, (Limited Edition) (Orange Vinyl) | EUR 39.99* |
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The Allman Brothers Band
Eat A Peach (Limited Edition) (Orange Vinyl)
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The Allman Brothers Band
Eat A Peach
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Previous price EUR 11.99, reduced by 16%
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The Allman Brothers Band
Eat A Peach (180g) (Limited Edition) (Light Pink & Light Blue Vinyl)
2 LPs
Current price: EUR 59.99
Eat a Peach is The Allman Brothers Band’s third studio album. Produced by Tom Dowd, the album was released on February 12, 1972. Following on from their »Live At Fillmore« double album, the band struggled with personal addictions which were then further compounded by the death of founder member Duane Allman in a motorcycle accident in the band’s home of Macon, Georgia, meaning that this was the final album to feature the guitarist.
The album is a mix of studio recordings (both with and without Duane Allman), and live recordings from the band’s famed 1971 Fillmore East performances. Highlights include the live version of »Mountain Jam« as well as »Melissa«, and »Blue Sky« (a classic rock radio staple).
The album artwork was created by W. David Powell and J.F. Holmes and depicts the band’s name on a peach truck, in addition to a large gatefold mural of mushrooms and fairies. Rolling Stone magazine later picked it as one of the 100 greatest album covers of all time in 1991.
The album was an immediate success, peaking at number four on Billboard’s Top 200 Pop Albums chart. It was later certified platinum and remains a top seller in the band’s discography.
ROLLING STONE ALBUM GUIDE **** "'Eat a Peach' entlockt noch mehr Magie aus dem historischen Fillmore-Stand. Vielleicht der Live-"Mountain Jam" (fast eine Dreiviertelstunde lang) etwas an etwas bei der Übersetzung auf Platte, aber die knurrige Cover von Sonny Boy Williamsons "One Way Out" und die umwerfend schönen Studiotracks wie "Blue Sky" tragen der Legende einiges an."
The album is a mix of studio recordings (both with and without Duane Allman), and live recordings from the band’s famed 1971 Fillmore East performances. Highlights include the live version of »Mountain Jam« as well as »Melissa«, and »Blue Sky« (a classic rock radio staple).
The album artwork was created by W. David Powell and J.F. Holmes and depicts the band’s name on a peach truck, in addition to a large gatefold mural of mushrooms and fairies. Rolling Stone magazine later picked it as one of the 100 greatest album covers of all time in 1991.
The album was an immediate success, peaking at number four on Billboard’s Top 200 Pop Albums chart. It was later certified platinum and remains a top seller in the band’s discography.
ROLLING STONE ALBUM GUIDE **** "'Eat a Peach' entlockt noch mehr Magie aus dem historischen Fillmore-Stand. Vielleicht der Live-"Mountain Jam" (fast eine Dreiviertelstunde lang) etwas an etwas bei der Übersetzung auf Platte, aber die knurrige Cover von Sonny Boy Williamsons "One Way Out" und die umwerfend schönen Studiotracks wie "Blue Sky" tragen der Legende einiges an."
Reviews
ALL MUSIC GUIDE ***** "Half of 'Eat a Peach' consists of more fiery improvisations from the 'Live at Fill- more' dates, in the form of the "Mountain Jam". Even though this was released after Duane Allman's fatal motorcycle accident, the studio sides include some tracks showcasing his soaring lead work. Creativily, the band was in peak form with great tracks like "Ain't Wastin' Time No More", "Melissa", "One Way Out", "Stand Back", "Blue Sky" and the delicate acoustic-guitar in- strumental "Little Martha". ROLLING STONE ALBUM GUIDE **** "'Eat a Peach' extracts even more magic from the historic Fillmore stand. Perhaps the live "Mountain Jam (almost 3/4 of an hour long) loses something in the translation to disc, but the snarling cover of Sonny Boy Williamson's "One Way Out" and the devastatingly pretty studio tracks like "Blue Sky" add quite a bit to the legend." C. Böhm in Audio 10/04: "Nun mit dezent gesplitteten Sur- round-Kanälen und imposanter Konzert-Aura. Das ist sen- sitiv im grandios-countryesken "Blue Sky" (toll austa- rierte Gitarren!), und bei der Instrumental-Perle "Little Martha". 33 Jahre nach seinem Tode tönt Duane so präsent wie nie."-
Tracklisting
-
Contributors
Disk 1 von 1 (SACD)
-
1 Ain't Wastin' Time No More
-
2 Les Brers in A Minor
-
3 Melissa
-
4 Mountain Jam
-
5 One Way Out
-
6 Trouble No More
-
7 Stand Back
-
8 Blue Sky
-
9 Little Martha
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