Carmen Jones (UK Import) auf DVD
Carmen Jones (UK Import)
DVD
DVD
Die meisten angebotenen DVDs haben den Regionalcode 2 für Europa und das Bildformat PAL. Wir bieten aber auch Veröffentlichungen aus den USA an, die im NTSC-Format und mit dem Ländercode 1 auf den Markt kommen. Dies ist dann in unseren Artikeldetails angegeben.
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- Herkunftsland:
- USA, 1954
- Altersfreigabe:
- Dieser Titel ist nicht FSK-geprüft.
Eine Lieferung an Minderjährige ist nicht möglich.
Infos zu Titeln ohne Jugendfreigabe - UPC/EAN:
- 5035673006115
- Erscheinungstermin:
- 29.3.2004
- Serien:
- Die berühmtesten Musicals , BFI (British Film Institute)
- Genre:
- Drama, Musical
- Spieldauer:
- 109 Min.
- Regie:
- Otto Preminger
- Darsteller:
- Dorothy Dandridge, Harry Belafonte, Olga James
- Filmmusik:
- Bizet/Hammerstein
- Sprache:
- Englisch
- Bild:
- Widescreen
- Untertitel:
- Englisch
Ähnliche Artikel
In collaboration with Twentieth Century Fox in 2004, the BFI released this sizzling screen version of Bizet's opera Carmen, originally released 50 years ago and rarely seen in the UK.
The original Carmen, which premiered in 1875, was set in Spain and tells the story of a gypsy woman who works in a cigarette factory. She falls for a soldier, but eventually transfers her affections to a bullfighter with tragic results. In 1943, Oscar Hammerstein II adapted the opera as a Broadway musical. Setting it in the contemporary southern states of the USA, with an all-black cast, it ran for over five hundred performances.
For his 1954 film version of the show, Otto Preminger gives it a wartime setting, with the heroine Carmen a worker in a parachute factory and her lover Joe, a soldier; the toreador is changed into a professional boxer.
The all-black cast is led by Dorothy Dandridge, whose vibrant performance resulted in the first Oscar nomination for a black actress. She stars in the title role as the passionate sexy creature who lures handsome GI Joe (Harry Belafonte) away from his sweetheart Cindy Lou (Olga James). Following a brawl with his sergeant, Joe deserts his regiment with the sultry femme fatale. Carmen soon tires of him and takes up with a heavyweight prize-fighter (Joe Adams), triggering Joe's tragic revenge. Helping to set the screen on fire are Pearl Bailey, who sings the dynamic 'Beat Out That Rhythm on a Drum', and Diahann Carroll. Other popular songs include 'You Talk Just Like My Ma' and 'That's Love'.
Though not the first Hollywood film to feature an all-black cast, Preminger is rigorous in his casting; even in the street scenes in Chicago the only faces visible seem to be black. It was a risky and daring move in the Fifties, but by this stage in his career Preminger had become an independent producer, and welcomed the opportunity to make unusual or controversial films. He also makes striking use of both colour and the Cinemascope process, introduced by Twentieth Century Fox the previous year.
* Theatrical trailer
* Biography of Otto Preminger and credits designer Saul Bass
* Biographies of Dorothy Dandridge and Harry Belafonte
The original Carmen, which premiered in 1875, was set in Spain and tells the story of a gypsy woman who works in a cigarette factory. She falls for a soldier, but eventually transfers her affections to a bullfighter with tragic results. In 1943, Oscar Hammerstein II adapted the opera as a Broadway musical. Setting it in the contemporary southern states of the USA, with an all-black cast, it ran for over five hundred performances.
For his 1954 film version of the show, Otto Preminger gives it a wartime setting, with the heroine Carmen a worker in a parachute factory and her lover Joe, a soldier; the toreador is changed into a professional boxer.
The all-black cast is led by Dorothy Dandridge, whose vibrant performance resulted in the first Oscar nomination for a black actress. She stars in the title role as the passionate sexy creature who lures handsome GI Joe (Harry Belafonte) away from his sweetheart Cindy Lou (Olga James). Following a brawl with his sergeant, Joe deserts his regiment with the sultry femme fatale. Carmen soon tires of him and takes up with a heavyweight prize-fighter (Joe Adams), triggering Joe's tragic revenge. Helping to set the screen on fire are Pearl Bailey, who sings the dynamic 'Beat Out That Rhythm on a Drum', and Diahann Carroll. Other popular songs include 'You Talk Just Like My Ma' and 'That's Love'.
Though not the first Hollywood film to feature an all-black cast, Preminger is rigorous in his casting; even in the street scenes in Chicago the only faces visible seem to be black. It was a risky and daring move in the Fifties, but by this stage in his career Preminger had become an independent producer, and welcomed the opportunity to make unusual or controversial films. He also makes striking use of both colour and the Cinemascope process, introduced by Twentieth Century Fox the previous year.
* Theatrical trailer
* Biography of Otto Preminger and credits designer Saul Bass
* Biographies of Dorothy Dandridge and Harry Belafonte
