Chet Baker: Chet (180g)
Chet (180g)
LP
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
Derzeit nicht erhältlich.
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Vinyl liefern wir innerhalb Deutschlands immer portofrei.
- Label: Doxy, 1959
- Erscheinungstermin: 23.11.2010
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Ähnliche Artikel
Chesney Henry Baker Jr. war so viel mehr als nur ein Trompeter. Für manche ein Bix Beiderbecke für die Post-Bebop-Generation, die lyrische Phrasen für die Ewigkeit kreiert hat, die manchmal vor Freude strotzten oder eine melancholische Schönheit transportierten, die so traurig waren, dass man fast die Tränen hören konnte. Für andere war er ein Hollywood-Held mit Makeln, ein Gesicht, das ihn von den üblichen Ikonen der 52. Straße abhob. Ein »From Here To Eternity« Montgomery Clift oder James Dean in tiefer Frustration in »Rebel Without a Cause«.
Das im Jahr 1959 erschienene Album »Chet« war eine der letzten Aufnahmen des Trompetenstars, bevor er nach Europa zurückkehrte, um die bekannten Milano Sessions aufzunehmen.
Every musician has his area of expertise and for Chet Baker that area was the ballad. Therefore, this album dedicated entirely to ballads, gives listeners a chance to hear Baker doing what he does best. and when Chet Baker does what he does best, he does it better than any other trumpet player in the history of jazz.
For this session, recorded on 30 December 1958 at NYC's Reeves Sound Studios, the poster child of West Coast cool jazz (who had just turned 29) assembled a superlative East Coast sextet that featured the unusual front-line combination of flute (Herbie Mann), trumpet (Baker) and baritone (Pepper Adams), departing occasionally from this format, however, to showcase the guitar playing of Kenny Burrell. Pianist Bill Evans, Philly Joe Jones (drums), Paul Chambers (bass), all well-known for their association with Miles Davis, and all some of the top names in jazz are also featured here, along with drummer Connie Kay of the Modern Jazz Quartet.
This album represents some of the last studio work Baker did before emigrating permanently to Europe. It also includes one of Baker's own compositions, "Early Morning Mood", recorded at the same studio and with the same line-up on 19 January 1959, as a bonus track.
Das im Jahr 1959 erschienene Album »Chet« war eine der letzten Aufnahmen des Trompetenstars, bevor er nach Europa zurückkehrte, um die bekannten Milano Sessions aufzunehmen.
Every musician has his area of expertise and for Chet Baker that area was the ballad. Therefore, this album dedicated entirely to ballads, gives listeners a chance to hear Baker doing what he does best. and when Chet Baker does what he does best, he does it better than any other trumpet player in the history of jazz.
For this session, recorded on 30 December 1958 at NYC's Reeves Sound Studios, the poster child of West Coast cool jazz (who had just turned 29) assembled a superlative East Coast sextet that featured the unusual front-line combination of flute (Herbie Mann), trumpet (Baker) and baritone (Pepper Adams), departing occasionally from this format, however, to showcase the guitar playing of Kenny Burrell. Pianist Bill Evans, Philly Joe Jones (drums), Paul Chambers (bass), all well-known for their association with Miles Davis, and all some of the top names in jazz are also featured here, along with drummer Connie Kay of the Modern Jazz Quartet.
This album represents some of the last studio work Baker did before emigrating permanently to Europe. It also includes one of Baker's own compositions, "Early Morning Mood", recorded at the same studio and with the same line-up on 19 January 1959, as a bonus track.
- Tracklisting
- Mitwirkende
Die Hörproben gehören zum Artikel Chet Baker (1929-1988): Chet (Super Audio CD). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
- 1 Alone Together
- 2 How High The Moon
- 3 It Never Entered My Mind
- 4 'Tis Autumn
- 5 If You Could See Me Now
- 6 September Song
- 7 You'd Be So Nice To Come Home To
- 8 Time On My Hands
- 9 You And The Night And The Music
- 10 Early morning mood
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