The Great Composers in Words and Music - Dvorak (in englischer Sprache) auf CD

Disk 1 von 1 (CD)

1. 1 Hörprobe Track 1: Introduction Introduction

1. 3 Hörprobe Track 3: Bits and pieces are all we may know about the music of Antonín Dvorák Bits and pieces are all we may know about the music of Antonín Dvorák

1. 5 Hörprobe Track 5: The fourth of Dvorák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from... The fourth of Dvorák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from...

1. 7 Hörprobe Track 7: Antonín Leopold Dvorák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, ... Antonín Leopold Dvorák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, ...

1. 9 Hörprobe Track 9: Reflecting on this period of the composer's life, Zubaty (the Czech writer mentioned previously) wrote: "Seemingly for.. Reflecting on this period of the composer's life, Zubaty (the Czech writer mentioned previously) wrote: "Seemingly for..

1. 11 Hörprobe Track 11: Dvorák's first symphony, composed between February and March 1865, began life as a submission to a German composition... Dvorák's first symphony, composed between February and March 1865, began life as a submission to a German composition...

1. 13 Hörprobe Track 13: In early 1865, Dvorák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Cermáková... In early 1865, Dvorák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Cermáková...

1. 15 Hörprobe Track 15: Before he left the Provisional Theatre orchestra in the summer of 1871, Dvorák was the subject of an announcement in a.. Before he left the Provisional Theatre orchestra in the summer of 1871, Dvorák was the subject of an announcement in a..

1. 17 Hörprobe Track 17: It seems that Dvorák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being.. It seems that Dvorák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being..

1. 19 Hörprobe Track 19: In response to Dvorák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets... In response to Dvorák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets...

1. 21 Hörprobe Track 21: While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to... While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to...

1. 23 Hörprobe Track 23: In August 1883, Dvorák received a prestigious invitation: the London Philharmonic Society requested his presence as... In August 1883, Dvorák received a prestigious invitation: the London Philharmonic Society requested his presence as...

1. 25 Hörprobe Track 25: Dvorák left Prague for London on 5 march 1884: eight days later he was conducting the Stabat Mater in the Royal Albert.. Dvorák left Prague for London on 5 march 1884: eight days later he was conducting the Stabat Mater in the Royal Albert..

1. 27 Hörprobe Track 27: In 1891, the same year Dvorák completed the "Dumky" Trio, he took up the position of professor of composition and... In 1891, the same year Dvorák completed the "Dumky" Trio, he took up the position of professor of composition and...

1. 29 Hörprobe Track 29: The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie.. The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie..

1. 31 Hörprobe Track 31: Following the premiere of his Ninth Symphony, Dvorák may well have looked forward to a prosperous and productive... Following the premiere of his Ninth Symphony, Dvorák may well have looked forward to a prosperous and productive...

1. 33 Hörprobe Track 33: The next - and, indeed, the penultimate - phase in Dvorák's compositional journey seems to have emerged from his... The next - and, indeed, the penultimate - phase in Dvorák's compositional journey seems to have emerged from his...
2. 34 Hörprobe Track 34: Der Wassermann op. 107 (Sinfonische Dichtung) Antonín Dvorák: Der Wassermann op. 107 (Sinfonische Dichtung)
3. 35 Hörprobe Track 35: During his final years, Dvorák became the recipient of various honours... During his final years, Dvorák became the recipient of various honours...

1. 37 Hörprobe Track 37: Dvorák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at... Dvorák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at...