Ludwig van Beethoven: Symphonien Nr.1 & 6
Symphonien Nr.1 & 6
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
- Tonformat: stereo & multichannel (Hybrid)
- Künstler: Minnesota Orchestra, Osmo Vänskä
- Label: BIS, DDD, 2007
- Bestellnummer: 7372359
- Erscheinungstermin: 2.1.2008
The fact that Beethoven was nearly thirty before he completed his First Symphony is indicative of his great respect for the genre. His careful preparations included a year of regular lessons with Haydn, the ‘father of the symphony’, as well as the composing of piano sonatas and piano trios that exhibit distinctively symphonic elements. Meanwhile he mastered the art of writing for orchestra by composing a number of concertos. As we know, these preparations paid off and the First Symphony has been part of the repertoire ever since its première in 1800. Already some years later Beethoven sketched some ideas for an orchestral work based on pastoral themes, but again he took his time in bringing them to fruition. The sketches were laid aside until 1808 when Beethoven, in his Symphony No. 6, took up the challenge of combining two highly different traditions: the symphony genre and the pastoral idiom. As Beethoven scholar Barry Cooper states in his liner notes to this disc, ‘Beethoven’s great achievement was to reconcile two opposing elements, so that the work is thoroughly pastoral in character yet thoroughly symphonic in form.’
Together, Symphonies Nos 1 and 6 make up the fourth instalment of the Beethoven Cycle of Osmo Vänskä and Minnesota Orchestra, a cycle which has received almost universal praise. It follows upon a Ninth Symphony which the reviewer in BBC Music Magazine termed ‘a Beethoven Ninth of our times’ and designated a benchmark recording, an Eroica containing ‘one of the finest performances of the Funeral March ever recorded’ (Classics Today. com), an Eighth described as ‘terrifically taut, yet playful’ (The Times, UK), and a Fourth and a Fifth which the Financial Times called ‘the modern Beethoven recording par excellence’.
Together, Symphonies Nos 1 and 6 make up the fourth instalment of the Beethoven Cycle of Osmo Vänskä and Minnesota Orchestra, a cycle which has received almost universal praise. It follows upon a Ninth Symphony which the reviewer in BBC Music Magazine termed ‘a Beethoven Ninth of our times’ and designated a benchmark recording, an Eroica containing ‘one of the finest performances of the Funeral March ever recorded’ (Classics Today. com), an Eighth described as ‘terrifically taut, yet playful’ (The Times, UK), and a Fourth and a Fifth which the Financial Times called ‘the modern Beethoven recording par excellence’.
Rezensionen
Audio 05/08: "Das ist der Beethoven-Sound des 21.Jahrhunderts: Das Alle-Neune-Projekt mit dem Minnesota Orchestra lebt vom zupackenden Stil des 55-jährigen Finnen Osmo Vänskä. Stark auch diese Folge: Die Erste knallt vital und schmissig aus den Boxen, die Sechste strotzt nur so vor Leidenschaft und Lebenslust."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (SACD)
Sinfonie Nr. 1 C-Dur op. 21
- 1 1. Adagio molto - Allegro con brio
- 2 2. Andante cantabile con moto
- 3 3. Menuetto: Allegro molto e vivace
- 4 4. Finale: Adagio - Allegro molto e vivace
Sinfonie Nr. 6 F-Dur op. 68 "Pastorale"
- 5 1. Angenehme, heitere Emfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen: Allegro ma non troppo
- 6 2. Szene am Bach : Andante molto moto
- 7 3. Lustiges Zusammensein der Landleute: Allegro
- 8 4. Donner. Sturm: Allegro
- 9 5. Hirtengesang: Wohltätige, mit Dank an die Gottheit verbundene Gefühle nach dem Sturm: Allegretto
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