Classics Explained:Bach,Brandenburgische Konzerte auf 2 CDs

Classics Explained:Bach,Brandenburgische Konzerte

BRTN Philharmonic Orchestra Brussels

2 CDs

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Eine Werkeinführung in englischer Sprache mit einem 94-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann

Künstler:: Jando, BRTN Philharmonic Orchestra Brussels, Rahbari
Label:: Naxos
Aufnahmejahr ca.:: 92
Artikelnummer:: 6440529
UPC/EAN:: 0636943805527
Erscheinungstermin:: 13.5.2002

Tracklisting
Mitwirkende

Disk 1 von 2 (CD)

1 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi
2 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Introduction: Melody, Theme and Motif; Bach's opening gambit
3 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 and its function
4 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: The two elements of Motif No. 2 and the effect of their combination
5 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar
6 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3, introduced by the two recorders, has a kind of 'hovering'
7 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, 'directed' listen
8 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Bach reminds us of the opening
9 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 4 - a steadily rising derivative of Motif No. 1
10 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, a lovely, bouncy, syncopated flourish, in which all the i
11 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Opening Ritornello (complete)
12 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of al
13 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by
14 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, a varied repeat of Ritornello 1, arrives after much harm
15 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the 'fanfare' motif from which its firs
16 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin
17 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement
18 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists
19 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlie
20 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'mo
21 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provide
22 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Return to Ritornello 4 to hear sources of Episode 4, Part 2
23 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchang
24 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Return to opening Ritornello in order to enhance awareness of the cont
25 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5, beginning
26 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of
27 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement
28 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: First Movement (complete)
29 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement
30 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The melody not much to write home about; nor is the meek 'answer' off
31 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Putting the two together, thereby establishing a relationship
32 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Contrast and syncopation - their relationship in opening section
33 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Listening from the 'botton up'
34 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The intertwining and alternation of solo and orchestra; the irregular
35 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The next orchestral phrase; slowing the pace but not the tempo
36 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete)
37 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The next section; foreground symmetry and background variety
38 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The central section's groupings are hugely asymmetrical
39 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Cue to Second Movement as a whole
40 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Second Movement (complete)
41 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Introduction to the Third Movement...
42 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Fugue subject
43 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: First counter-subject
44 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject
45 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Bass entry of the subject
46 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Exposition (complete)
47 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives
48 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The difference a detail can make!
49 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Harmonic Rhythm defined; back to the beginning to find the seed...
50 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: ...and now the blossom
51 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The First Solo Episode; a confusion of terms; onwards, to the introduc
52 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 2 complete
53 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 2 dominated by thrilling virtuosity from the solo violin
54 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3: highly contrapuntal and dominated by subject-derivatives
55 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 continues: engine of harmonic motion repeated at higher p
56 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: the use of long, sustained, slightly syncopated
57 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 (complete)
58 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 3 - less solo than earlier ones, what with (albeit very d
59 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating
60 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Finishing Solo Exposition 3: orchestral cellos introduce what sounds
61 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Approaching the final Ritornello; stretto explained
62 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Cue to Finale Ritornello, noting tension-building 'pedal point' in cel
63 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Coda - the 'tail-piece', with its surprising 'hammer strokes'
64 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement
65 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Third Movement (complete)

Disk 2 von 2 (CD)

1 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif N
2 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Music, energy and relationship
3 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The outlines of a melody emerge
4 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The opening bar again
5 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 2: ta / dee-ya, dee-ya, dee-ya
6 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, and an important feature of its rhythm
7 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Beethoven Fifth Symphony (opening)
8 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 4
9 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5
10 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 6
11 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Episode 1: a 'Love Duet'
12 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Episode 1 continued; violin and flute reverse direction of their theme
13 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: 'False' Ritornello; soloists interrupt; rising 'sighing' motif; harpsi
14 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand
15 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns, picking up at exactly the spot where it was int
16 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The harpsichord intervenes with derivative of Motif 4; key shifts from
17 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings this section to an end
18 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Harpsichord emerges as virtuoso; a series of expectations are frustrat
19 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: A backwards look; blurred distinctions between soloists and orchestra;
20 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Out of the Twilight Zone; a sequence of surprises
21 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The epoch-making harpsichord cadenza and the final Ritornello
22 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement
23 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: First Movement (complete)
24 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Introduction; the opening Ritornello
25 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block
26 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The flute motif
27 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Opening of the first solo episode
28 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block
29 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The second main theme
30 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 2; violin and flute as 'orchestra'
31 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; inversion of original motifs
32 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: More on Episode 2
33 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared
34 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; key shifts from D major to F sharp minor
35 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 3: an exact transposition of Ritornello 1
36 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1
37 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 described in detail
38 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 4; second main theme's first appearance in a Ritornello
39 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 4: dominated by inversions
40 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Cue to Second Movement
41 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete)
42 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Introduction: Ritornello 1
43 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: close juxtaposition of contrasting elements
44 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the 'answer', with countersubject in the violin
45 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a contrapuntal device
46 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a listening aid; a new theme
47 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Playing with the counter-subject; a musical game of tag
48 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Hidden rhythms: background variety behind foreground uniformity
49 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Fugal writing and the compatibility of parts; the Exposition
50 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Episode 1, taken by soloists, contains important 'seeds'
51 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The orchestra enters at last, but by stealth
52 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Stretto and musical football
53 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Key changes to B minor, introducing extensive Middle Section
54 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian 'development'
55 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject out in force: first four immediately consecutive ent
56 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Ambiguity of mode and a Scottish twist
57 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Middle Section sontinued; harpsichord dominates
58 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement
59 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Last Movement (complete)