Spin Marvel: Infolding (180g) auf 2 LPs

»Infolding« is the Spin Marvel's third release and first on RareNoiseRecords; it is the brainchild of drummer Martin France, british bassist Tim Harries (once part of Bill Bruford's Earthworks), and norwegian sound sculptor/percussionist Terje Evensen, here joined by Norwegian trumpet master Nils Petter Molvaer and additional drummer / producer Emre Ramazanoglu (on »Minus Two«). Together they create spacious and dramatic soundscapes of profound intensity on the startlingly original Infolding, blending aspects of free jazz, ambient music and electronica in provocative ways. From the serene to the unsettling, this latest Spin Marvel project morphs into a myriad of moods and melodies over the course of six dynamic tracks.

»Canonical« opens with an airy ambient touch before exploding into free jazz tumult paced by Harries' throbbing fuzz bass and France's powerful traversing of the kit, with Molvaer's highly processed cathartic wail layered over the top. »Tuesday's Blues« opens with spacious trumpet before gradually evolving into an in-the-moment adventure anchored by Harries' hellacious fuzz bass and France's interactive, Elvin Jones-inspired swing beat. »Two Hill Town« has Molvaer creating half-time trumpet melodies that float dreamily over France's simmering pulse before the proceedings heat up to a turbulent boil.

»Leap Second« makes dramatic use of silence and echo, with Molvaer's haunting trumpet tones resounding over France's subtle brushwork before the piece builds to an intense crescendo. The 16- minute »Same Hand Swiss Double Pug« opens as a kind of ambient bolero before France bursts into a Buddy Rich styled flurry on the snare drum midway thru, triggering a change in mood that culminates in a freewheeling collective improv. And the collection closes on a haunting and kinetic note with the echo-laden »Minus Two«, Emre's lone drumming showcase.

Rezensionen

»›Canonical‹ schreitet gleich zu Beginn die gesamte Spannbreite des interessanten Projekts von träumerischem Ambient bis zum FreeJazz-Inferno ab.« (K. Reckert in BetreutesProggen. de)