Serj Tankian (System Of A Down): Imperfect Harmonies
Imperfect Harmonies
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- Label: Reprise, 2010
- Erscheinungstermin: 16.9.2010
Weitere Ausgaben von Imperfect Harmonies
"Where 'Elect the Dead' was essentially a rock record with progressive melodic elements," Tankian says, "'Imperfect Harmonies' could be classified as rock because it is punchy with many peaks throughout, but the instrumentation is somewhat different. Though there are live drums, bass, and some guitars, the driving aspects are electronic and orchestral. It's quite unique in its sound palette. This is, in essence, music that has sat in the vat and matured to a ripe sensation and is now ready to serve."
"Imperfect Harmonies" is as powerful and musically eclectic as its predecessor. "I have been calling the music 'electro-orchestral-jazz-rock' because it has all of those aspects in prominence within the songs," Tankian says. "A few are more stripped down, but the majority of the songs have this huge wall of sound presented in a way I've never heard before. It's not common to have a song that is both electronic and orchestral since one is synthetic and the other organic, but I found a way of meshing a lot of these colors together."
The album has been influenced by Tankian's experience making "Elect the Dead Symphony", a symphonic interpretation of his debut that had its inaugural performance in New Zealand with the Auckland Philharmonia Orchestra in March 2009. The performance has been captured on the CD/DVD "Elect the Dead Symphony". "The making of 'Elect the Dead Symphony' gave me the confidence and tools to create ensemble pieces for orchestra more confidently and effectively than before," Tankian says. "And that became one of the primary colors for this record along with electronic, jazz, and live instrumentation." (roadrunnerrecords. com)
"Hinter jeder Ecke lauert das Ungewisse, selbst die eigens gewählte Bezeichnung ,,Electro Orchestral Jazz Rock" wird dem von Tänkian persönlich produzierten Album nur ansatzweise gerecht. Nette Konstante im Meer der Grenzenlosigkeit: des Vordenkers große Stimme." (Stereoplay 10 / 2010)
"Nach der 'Elect The Dead Symphony'-Reise mit Orchester geht es zurück. Zumindest ein Stück weit. Denn ein Mann wie Tankian nimmt auf jeder Zwischenstation einiges an Ideen mit. Er saugt auf, wo andere sich um Verständnis bemühen. Elektronische Trips werden von orchestralen Wänden konterkariert, irritiert von Stimmakrobatik und erhöhter Dramatik ziehen sich die typischen Rockinstrumente beizeiten verängstigt zurück." (monstersandcritics. de)
"Imperfect Harmonies" is as powerful and musically eclectic as its predecessor. "I have been calling the music 'electro-orchestral-jazz-rock' because it has all of those aspects in prominence within the songs," Tankian says. "A few are more stripped down, but the majority of the songs have this huge wall of sound presented in a way I've never heard before. It's not common to have a song that is both electronic and orchestral since one is synthetic and the other organic, but I found a way of meshing a lot of these colors together."
The album has been influenced by Tankian's experience making "Elect the Dead Symphony", a symphonic interpretation of his debut that had its inaugural performance in New Zealand with the Auckland Philharmonia Orchestra in March 2009. The performance has been captured on the CD/DVD "Elect the Dead Symphony". "The making of 'Elect the Dead Symphony' gave me the confidence and tools to create ensemble pieces for orchestra more confidently and effectively than before," Tankian says. "And that became one of the primary colors for this record along with electronic, jazz, and live instrumentation." (roadrunnerrecords. com)
Rezensionen
"Hinter jeder Ecke lauert das Ungewisse, selbst die eigens gewählte Bezeichnung ,,Electro Orchestral Jazz Rock" wird dem von Tänkian persönlich produzierten Album nur ansatzweise gerecht. Nette Konstante im Meer der Grenzenlosigkeit: des Vordenkers große Stimme." (Stereoplay 10 / 2010)
"Nach der 'Elect The Dead Symphony'-Reise mit Orchester geht es zurück. Zumindest ein Stück weit. Denn ein Mann wie Tankian nimmt auf jeder Zwischenstation einiges an Ideen mit. Er saugt auf, wo andere sich um Verständnis bemühen. Elektronische Trips werden von orchestralen Wänden konterkariert, irritiert von Stimmakrobatik und erhöhter Dramatik ziehen sich die typischen Rockinstrumente beizeiten verängstigt zurück." (monstersandcritics. de)
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Disowned inc.
- 2 Borders are...
- 3 Deserving?
- 4 Beatus
- 5 Reconstructive demonstrations
- 6 Electron
- 7 Gate 21
- 8 Yes, it's genocide
- 9 Peace be revenged
- 10 Left of center
- 11 Wings of Summer
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