The Seeds: The Seeds (Deluxe Edition)
The Seeds (Deluxe Edition)
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Nur noch 1 Stück am Lager. Danach versandfertig innerhalb 1-2 Wochen (soweit verfügbar beim Lieferanten)
EUR 15,99*
Verlängerter Rückgabezeitraum bis 31. Januar 2025
Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.
- Label: Ace, 1960
- Bestellnummer: 3018247
- Erscheinungstermin: 24.9.2012
Weitere Ausgaben von The Seeds
* digitally remastered
* Digipack
* Digipack
Album digital in HD (Werbung)
Die Band wurde 1965 von dem charismatischen Sänger und Bassisten Sky Saxon gegründet und gilt bis heute als einer einflussreichsten Mid-60s Garagen-Bands überhaupt. Die Songs des Debüts ‘The Seeds‘ war sehr einfach und zeichnet sich durch einen rohen, ungeschliffenen Klang aus. Die Single Auskopplung ‘Pushin‘ Too Hard‘ erreichte durch häufigen Einsatz im lokalen Radio Platz 36 in den Billboard-Charts, und war nicht nur deshalb der größte kommerzielle Erfolg der Band. Aber auch ‘Can’t Seem To Make You Mine‘ wusste in den USA zu punkten.
Das bei Fans beliebteste und als Original unbezahlbare Debütalbum erscheint nun in einer spektakulären Neu-Edition mit 10 Bonustracks – 8 davon noch nie veröffentlicht. Dazu gibt es den wuchtigen Original Mono-Mix des Original-Albums. Ein 40 Seiten-Booklet hält aufschlussreiche Linernotes bereit, basierend auf Interviews mit noch lebenden Beteiligten und vielen Archiv-Fotos! Mehr geht nicht!
The 60s punk anthems ‘Can’t Seem To Make You Mine’ and ‘Pushin’ Too Hard’ pack as resonant a punch today as they did when first heard as the first two singles by a strangely attired, off-beat sounding Los Angeles outfit known as the Seeds. The group stands prominent amongst the handful of mid-60s garage bands whose influence is palpable in rock to this day. Led by charismatic frontman Sky Saxon, their unique and exciting brand of minimalist rock’n’roll has remained forever contemporary.
Both of these classics were included upon the Seeds’ eponymous debut long-player, which was the apotheosis of the band’s achievement. Like the first Ramones album, it is one of rock’s great debuts; a record where a signature style was sharply defined. Never mind that, at the time of its release in July 1966, “The Seeds” was one of the very few albums by an unknown group that contained completely original material; it was also one of the few albums from a group of their kind, full stop. Saxon’s insistence upon a stark and eye-catching front cover, depicting the combo in all their hirsute glory, guaranteed curiosity at the very least. But it was what the record contained that counts, and it is mandatory listening for any true fan of rock’n’roll in its purest, most elemental form. With cuts such as ‘No Escape’, ‘Girl I Want You’ and ‘Nobody Spoil My Fun’, “The Seeds” still represents the band at their edgiest and most focused.
Richard Marsh had arrived in late 1950s Hollywood from his native Salt Lake City hungry for stardom, but it was only after a half-dozen schlock singles that he turned what might have seem a distinct disadvantage – a thin, whining voice, less than movie star looks, and only a modicum of musical prowess – into the charismatic persona of Sky Saxon. Those familiar with Saxon’s often diffuse and rambling post-Seeds work may hardly recognise the incredible focus and power he brought to the band’s first two years of existence. Saxon would not and could not have achieved his eventual breakthrough without the express assistance of his fellow Seeds – who were never, ever his “sidemen,” no matter how the media (or on occasion, the band’s management) viewed them. Daryl Hooper, Jan Savage and Rick Andridge were, like Saxon, all refugees from middle America, subsisting on cheapHollywoodgigs in the vague but resilient hope that success might come their way. The quartet span their own relentless web of sound, tinged with a haunting patina that is uniquely Seeds.
With the generous co-operation of original label GNP Crescendo, no stone has been left unturned in order to present “The Seeds” in the best possible quality. Our deluxe reissue boasts the superlative, punchy mono mix, heretofore unavailable on CD, along with ten bonus tracks – seven of which are previously unissued – thereby doubling the length of the original album. These include the full length, unedited take of ‘Evil Hoodoo’, the unreleased song ‘Dreaming Of Your Love’ and early versions of their classic B-sides ‘Daisy Mae’ and ‘Out Of The Question’, spiced with some priceless studio chat. The 36-page booklet examines the Seeds’ early career in unprecedented detail, based on fresh research and interviews with the surviving participants. Keyboard player Daryl Hooper – the true architect of the Seeds sound – opened his files to share a swathe of incredible, rarely seen illustrations. Big Beat’s expanded and definitive edition of this cornerstone garage rock opus is the first salvo in our campaign to reinstate the Seeds’ catalogue to its rightful glory – watch this space.
By Alec Palao
(acerecords. co. uk)
,,Was für ein Kracher!" (Good Times, Februar / März 2013)
Das bei Fans beliebteste und als Original unbezahlbare Debütalbum erscheint nun in einer spektakulären Neu-Edition mit 10 Bonustracks – 8 davon noch nie veröffentlicht. Dazu gibt es den wuchtigen Original Mono-Mix des Original-Albums. Ein 40 Seiten-Booklet hält aufschlussreiche Linernotes bereit, basierend auf Interviews mit noch lebenden Beteiligten und vielen Archiv-Fotos! Mehr geht nicht!
Product Information
The 60s punk anthems ‘Can’t Seem To Make You Mine’ and ‘Pushin’ Too Hard’ pack as resonant a punch today as they did when first heard as the first two singles by a strangely attired, off-beat sounding Los Angeles outfit known as the Seeds. The group stands prominent amongst the handful of mid-60s garage bands whose influence is palpable in rock to this day. Led by charismatic frontman Sky Saxon, their unique and exciting brand of minimalist rock’n’roll has remained forever contemporary.
Both of these classics were included upon the Seeds’ eponymous debut long-player, which was the apotheosis of the band’s achievement. Like the first Ramones album, it is one of rock’s great debuts; a record where a signature style was sharply defined. Never mind that, at the time of its release in July 1966, “The Seeds” was one of the very few albums by an unknown group that contained completely original material; it was also one of the few albums from a group of their kind, full stop. Saxon’s insistence upon a stark and eye-catching front cover, depicting the combo in all their hirsute glory, guaranteed curiosity at the very least. But it was what the record contained that counts, and it is mandatory listening for any true fan of rock’n’roll in its purest, most elemental form. With cuts such as ‘No Escape’, ‘Girl I Want You’ and ‘Nobody Spoil My Fun’, “The Seeds” still represents the band at their edgiest and most focused.
Richard Marsh had arrived in late 1950s Hollywood from his native Salt Lake City hungry for stardom, but it was only after a half-dozen schlock singles that he turned what might have seem a distinct disadvantage – a thin, whining voice, less than movie star looks, and only a modicum of musical prowess – into the charismatic persona of Sky Saxon. Those familiar with Saxon’s often diffuse and rambling post-Seeds work may hardly recognise the incredible focus and power he brought to the band’s first two years of existence. Saxon would not and could not have achieved his eventual breakthrough without the express assistance of his fellow Seeds – who were never, ever his “sidemen,” no matter how the media (or on occasion, the band’s management) viewed them. Daryl Hooper, Jan Savage and Rick Andridge were, like Saxon, all refugees from middle America, subsisting on cheapHollywoodgigs in the vague but resilient hope that success might come their way. The quartet span their own relentless web of sound, tinged with a haunting patina that is uniquely Seeds.
With the generous co-operation of original label GNP Crescendo, no stone has been left unturned in order to present “The Seeds” in the best possible quality. Our deluxe reissue boasts the superlative, punchy mono mix, heretofore unavailable on CD, along with ten bonus tracks – seven of which are previously unissued – thereby doubling the length of the original album. These include the full length, unedited take of ‘Evil Hoodoo’, the unreleased song ‘Dreaming Of Your Love’ and early versions of their classic B-sides ‘Daisy Mae’ and ‘Out Of The Question’, spiced with some priceless studio chat. The 36-page booklet examines the Seeds’ early career in unprecedented detail, based on fresh research and interviews with the surviving participants. Keyboard player Daryl Hooper – the true architect of the Seeds sound – opened his files to share a swathe of incredible, rarely seen illustrations. Big Beat’s expanded and definitive edition of this cornerstone garage rock opus is the first salvo in our campaign to reinstate the Seeds’ catalogue to its rightful glory – watch this space.
By Alec Palao
(acerecords. co. uk)
Rezensionen
,,Was für ein Kracher!" (Good Times, Februar / März 2013)
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Can't seem to make you mine
- 2 No Escape
- 3 Lose your mind
- 4 Evil hoodoo
- 5 Girl I Want You
- 6 Pushin' Too Hard
- 7 Try To Understand
- 8 Nobody Spoil My Fun
- 9 It's a hard life
- 10 You Can't Be Trusted
- 11 Excuse, Excuse
- 12 Fallin' In Love
- 13 She's wrong
- 14 Daisy Mae (Take I)
- 15 Dreaming of your love
- 16 Out of the question (Version 1, Take 1)
- 17 Out of the question (Version 1, Master)
- 18 Pushin' too hard (Take 1)
- 19 Girl I want you (Alternate Overdub, Take 6a)
- 20 Evil hoodoo (Unedited take and intercut section)
- 21 It's a hard life (Take 3)
- 22 Nobody spoil my fun (Alternate Overdub, Take 3a)
The Seeds
The Seeds (Deluxe Edition)
EUR 15,99*
