Ryan Adams: Easy Tiger
Easy Tiger
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- Label: Mercury, 2007
- Erscheinungstermin: 21.6.2007
Der aus Jacksonville, North Carolina stammende Singer / Songwriter Ryan Adams meldet sich mit seinem neuesten Werk zurück. Hierfür holte sich Ryan u. a. Sheryl Crow ins Studio.
Wer das Album »Gold« schon mochte, wird »Easy Tiger« lieben lernen!
»Jeder einzelne Song ist eine Schönheit – die Texte, absolut fokussiert auf den Punkt, wobei man die Grundstimmung nur als melancholische Gelassenheit beschreiben kann, was für diejenigen Fans, die sich noch an den alten, bisweilen aufgebrachten Ryan Adams erinnern, sicherlich eine Offenbarung sein wird.« Stephen King
It was, Ryan Adams says, this girl he’s been spending time with; the title of this album is her fault. “She wanted to go out to dinner at eight; I wanted to go right away. She said, ‘Easy, Tiger.’ And that hit me. It stuck with me to the point where I called up Neal [that would be Neal Casal, guitarist of The Cardinals] and left a message on his answering machine with those two words. ‘Don’t forget this,’ I said, ‘cause I want to use it.’ ”
Adams laughs and adds, “I think he’s still got that message.” And I understand that. Some things you just save, because they’re worth playing over again.
I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won’t say Adams is the best North American singer-songwriter since Neil Young…but I won’t say he isn’t, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it’s got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful—the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.
He agrees that the tone of Easy Tiger is different — not dark, just different—and suggests in passing that it may have something to do with both sobering up and growing up (he’s 32). Then he goes on to talk about the process, which is clearly something close to his heart. “I write on a manual typewriter,” he says. “I get up, I have a cup of coffee, I sit down at the typewriter. I never spent a useless day behind a typewriter.” I say amen to that, but he’s already going on.
“It’s like—I don’t know, sometimes it’s like chasing a pretty girl on the beach. And things I never thought I could do…I can do.” I mention how prolific he is, aware that I might be touching a sore point. After all, there are plenty of critics who seem to think that’s a bad thing. Adams, however, just laughs.
“Yeah, yeah, in America people give you shit for working hard,” he says. “But…it’s process, that’s all. I process things. I went into the dream business. If people need ‘em, I’ve got extra.”
He talks enthusiastically about all the unreleased material he hopes to set free in a box set, maybe at the end of the year (“If people hear it all, then they’ll get the connections,” he says), but that’s then. Now there’s this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention. In other words—easy, Tiger.
Wer das Album »Gold« schon mochte, wird »Easy Tiger« lieben lernen!
»Jeder einzelne Song ist eine Schönheit – die Texte, absolut fokussiert auf den Punkt, wobei man die Grundstimmung nur als melancholische Gelassenheit beschreiben kann, was für diejenigen Fans, die sich noch an den alten, bisweilen aufgebrachten Ryan Adams erinnern, sicherlich eine Offenbarung sein wird.« Stephen King
It was, Ryan Adams says, this girl he’s been spending time with; the title of this album is her fault. “She wanted to go out to dinner at eight; I wanted to go right away. She said, ‘Easy, Tiger.’ And that hit me. It stuck with me to the point where I called up Neal [that would be Neal Casal, guitarist of The Cardinals] and left a message on his answering machine with those two words. ‘Don’t forget this,’ I said, ‘cause I want to use it.’ ”
Adams laughs and adds, “I think he’s still got that message.” And I understand that. Some things you just save, because they’re worth playing over again.
I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won’t say Adams is the best North American singer-songwriter since Neil Young…but I won’t say he isn’t, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it’s got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful—the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.
He agrees that the tone of Easy Tiger is different — not dark, just different—and suggests in passing that it may have something to do with both sobering up and growing up (he’s 32). Then he goes on to talk about the process, which is clearly something close to his heart. “I write on a manual typewriter,” he says. “I get up, I have a cup of coffee, I sit down at the typewriter. I never spent a useless day behind a typewriter.” I say amen to that, but he’s already going on.
“It’s like—I don’t know, sometimes it’s like chasing a pretty girl on the beach. And things I never thought I could do…I can do.” I mention how prolific he is, aware that I might be touching a sore point. After all, there are plenty of critics who seem to think that’s a bad thing. Adams, however, just laughs.
“Yeah, yeah, in America people give you shit for working hard,” he says. “But…it’s process, that’s all. I process things. I went into the dream business. If people need ‘em, I’ve got extra.”
He talks enthusiastically about all the unreleased material he hopes to set free in a box set, maybe at the end of the year (“If people hear it all, then they’ll get the connections,” he says), but that’s then. Now there’s this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention. In other words—easy, Tiger.
Rezensionen
M. Anders in Musikexpress 7/07: "Ein richtig starkes Album." P. Bickel in Stereo 8/07: "Ryan Adams, der vermutlich größte Alternative-Country-Songwriter nach Neil Young und Jeff Tweedy (Wilco), haucht jeder Nummer eine Inten- sität ein, als ob er nur diesen einen Studio-Take hat."- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Goodnight Rose (Album Version)
- 2 Two (Album Version)
- 3 Everybody Knows (Album Version)
- 4 Halloweenhead (Album Version)
- 5 Oh My God, Whatever, Etc. (Album Version)
- 6 Tears Of Gold (Album Version)
- 7 The Sun Also Sets (Album Version)
- 8 Off Broadway (Album Version)
- 9 Pearls On A String (Album Version)
- 10 Rip Off (Album Version)
- 11 Two Hearts (Album Version)
- 12 These Girls (Album Version)
- 13 I Taught Myself How To Grow Old (Album Version)
