Laurie Anderson: Big Science auf CD
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Big Science
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Label:
- Warner
- Aufnahmejahr ca.:
- 1982
- UPC/EAN:
- 0075992367424
- Erscheinungstermin:
- 1.4.1984
Weitere Ausgaben von Big Science |
Preis |
|---|---|
| CD | EUR 22,99* |
| LP, (Red Vinyl) | EUR 26,99* |
“Laurie Anderson is the most compelling performer from New York City's bohemian art scene to land a recording contract since Patti Smith signed with Arista some six years ago. Big Science, Anderson's eerie aural collage of a debut album, communicates … her astonishing intensity.” Stephen Holden, Rolling Stone (June 10, 1982)
Nonesuch Records released the remastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.
In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.
While working on her now-legendary seven-hour performance art/theater piece United States, Part I - IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.
At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.
Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).
Nonesuch Records released the remastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.
In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.
While working on her now-legendary seven-hour performance art/theater piece United States, Part I - IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.
At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.
Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).
Rezensionen
ROLLING STONE ALBUM GUIDE *** "'Big Science', on that album, Anderson's peech is the focus, and her musical support - keyboards, percussion and occasional saxo- phone or bagpipes - is skeletal and hypnotic."-
Tracklisting
-
Mitwirkende
Disk 1 von 1 (CD)
-
1 From The Air
-
2 Big Science
-
3 Sweaters
-
4 Walking & Falling
-
5 Born, Never Asked
-
6 O Superman (For Massenet)
-
7 Example # 22
-
8 Let X= X
-
9 It Tango
Sicherheits- und Herstellerinformationen
Bilder zur Produktsicherheit
Herstellerinformationen
Warner Music Group Germany Holding GmbH
Doreen Schimk / Fabian Drebes
Alter Wandrahm 14
20457 Hamburg
Deutschland
anfrage@warnermusic.com
