Diana Ross: Blue
Blue
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- Label: Universal, 1971-72
- Erscheinungstermin: 20.6.2006
Album digital in HD (Werbung)
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Dieses Album ist eine Sensation! In den Jahren 1971 / 1972, ungefähr zeitgleich mit den Aufnahmen, die zu ihrem längst zum Klassiker avancierten »Lady Sings The Blues«-Soundtrack führten, nahm Diana Ross auch ein komplettes weiteres Album mit Jazz-Standards auf: »Blue«, welches bis jetzt verschollen war und unveröffentlicht blieb. Die Songs waren stilistisch den unvergessenen Aufnahmen von Billie Holiday nicht unähnlich, und man kann ohne Umschweife behaupten, dass sie zu den schönsten und emotionalsten Songs gehören, die Diana Ross je aufgenommen hat. Dennoch blieben sie bis heute unentdeckt in einer Schublade liegen!
»Blue« beinhaltet 16 wunderschöne amerikanische Klassiker, die von einer Ikone eingesungen wurden. Es sind Songs, die Herzschmerz und Hoffnung gleichermaßen behandeln, und die heute noch so ergreifend sind wie »Lady Sings The Blues« vor über 30 Jahren. Endlich lassen sich diese Songs nun genießen!
For more than 30 years, rumors have circulated of a never-issued Diana Ross album of jazz standards recorded around the time of her triumphant star turn in Lady Sings The Blues. Recently, these archival recordings were discovered in the Motown vault. The resulting album, Blue (Motown / UMe), marks the long-overdue debut of what David Ritz, esteemed author and writer of the album’s liner notes, calls “some of the most emotionally satisfying music Ross has ever made.”
Recorded in late 1971 and early 1972, the album that is now being released as Blue was originally envisioned as a companion to the No. 1 soundtrack LP to Lady Sings The Blues, a box office hit that earned a Best Actress Oscar® nomination for Ross. Blue was produced, arranged and conducted by Gil Askey, who did the same for the Lady Sings The Blues soundtrack and who had conducted Supremes shows in the past and would conduct Ross’ solo shows in the future. Blue includes all twelve of the original tracks – all of which are previously unreleased, plus four bonus cuts from the recording sessions which took place in late 1971 and early 1972.
But perhaps because the tracks were considered too jazzy, a result of Ross delving so deeply into her film portrayal of Billie Holiday, a decision was made to return Ross to pop music. In 1973, she did just that and “Touch Me In The Morning” shot to #1. Blue never saw the light of day.
Blue premieres Ross’s renditions of Cole Porter’s “Let’s Do It,” the Gershwins’ “I Loves Ya Porgy,” and Johnny Burke and Jimmy Van Heusen’s “But Beautiful” as well as “What A Diff’rence A Day Makes,” “No More,” “Had You Been Around,” “Can’t Get Started With You.” (“Had You Been Around,” the album’s lone Motown original, is performed by Michelle Allar in Lady Sings The Blues.) Also debuting are bonus tracks “Easy Living,” “He’s Funny That Way” and Duke Ellington’s “Solitude.” Each of these tracks had been recorded during the soundtrack sessions but was left out of the film and off the soundtrack album.
Blue’s “You’ve Changed,” “My Man (Mon Homme),” the Gershwins’ “Love Is Here To Stay” and the fourth bonus track, “T’Ain’t Nobody’s Bizness If I Do,” were heard in alternate versions on the Lady Sings The Blues soundtrack album. Rodgers & Hart’s “Little Girl Blue” and Charlie Chaplin’s “Smile” would later appear in alternate versions on 1973’s Touch Me In The Morning and 1976’s Diana Ross, respectively. The release of Blue completes, finally, an important chapter in the career of one of the most popular singers in the history of popular music.
»Blue« beinhaltet 16 wunderschöne amerikanische Klassiker, die von einer Ikone eingesungen wurden. Es sind Songs, die Herzschmerz und Hoffnung gleichermaßen behandeln, und die heute noch so ergreifend sind wie »Lady Sings The Blues« vor über 30 Jahren. Endlich lassen sich diese Songs nun genießen!
Product-Information:
For more than 30 years, rumors have circulated of a never-issued Diana Ross album of jazz standards recorded around the time of her triumphant star turn in Lady Sings The Blues. Recently, these archival recordings were discovered in the Motown vault. The resulting album, Blue (Motown / UMe), marks the long-overdue debut of what David Ritz, esteemed author and writer of the album’s liner notes, calls “some of the most emotionally satisfying music Ross has ever made.”
Recorded in late 1971 and early 1972, the album that is now being released as Blue was originally envisioned as a companion to the No. 1 soundtrack LP to Lady Sings The Blues, a box office hit that earned a Best Actress Oscar® nomination for Ross. Blue was produced, arranged and conducted by Gil Askey, who did the same for the Lady Sings The Blues soundtrack and who had conducted Supremes shows in the past and would conduct Ross’ solo shows in the future. Blue includes all twelve of the original tracks – all of which are previously unreleased, plus four bonus cuts from the recording sessions which took place in late 1971 and early 1972.
But perhaps because the tracks were considered too jazzy, a result of Ross delving so deeply into her film portrayal of Billie Holiday, a decision was made to return Ross to pop music. In 1973, she did just that and “Touch Me In The Morning” shot to #1. Blue never saw the light of day.
Blue premieres Ross’s renditions of Cole Porter’s “Let’s Do It,” the Gershwins’ “I Loves Ya Porgy,” and Johnny Burke and Jimmy Van Heusen’s “But Beautiful” as well as “What A Diff’rence A Day Makes,” “No More,” “Had You Been Around,” “Can’t Get Started With You.” (“Had You Been Around,” the album’s lone Motown original, is performed by Michelle Allar in Lady Sings The Blues.) Also debuting are bonus tracks “Easy Living,” “He’s Funny That Way” and Duke Ellington’s “Solitude.” Each of these tracks had been recorded during the soundtrack sessions but was left out of the film and off the soundtrack album.
Blue’s “You’ve Changed,” “My Man (Mon Homme),” the Gershwins’ “Love Is Here To Stay” and the fourth bonus track, “T’Ain’t Nobody’s Bizness If I Do,” were heard in alternate versions on the Lady Sings The Blues soundtrack album. Rodgers & Hart’s “Little Girl Blue” and Charlie Chaplin’s “Smile” would later appear in alternate versions on 1973’s Touch Me In The Morning and 1976’s Diana Ross, respectively. The release of Blue completes, finally, an important chapter in the career of one of the most popular singers in the history of popular music.
Rezensionen
G. Fischer in Musikexpress 10/06: "Die Erstveröffent- lichung dieses merkwürdigerweise bislang ungehobenen Ar- chivschatzes kommt zwar nach über 30 Jahren reichlich spät. Aber was spielt Zeit schon für eine Rolle angesichts eines solchen Meilensteins des Jazz-Gesangs?"- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 What A Difference A Day Made
- 2 No More
- 3 Let's Do It
- 4 I Loves You, Porgy
- 5 Smile
- 6 But Beautiful
- 7 Had You Been Around
- 8 Little Girl Blue
- 9 I Can't Get Started
- 10 Love Is Here To Stay
- 11 You've Changed
- 12 My Man (Mon Homme)
- 13 Easy Living
- 14 Solitude
- 15 He's Funny That Way
- 16 Ain't nobody's business
