My Name Is Julia Ross (1945) (Blu-ray) (UK Import)
My Name Is Julia Ross (1945) (Blu-ray) (UK Import)
Blu-ray Disc
Blu-Ray Disc
Die Blu-Ray wurde als High-Definition-Nachfolger der DVD entwickelt und bietet ihrem Vorläufer gegenüber eine erheblich gesteigerte Datenrate und Speicherkapazität. Auf Blu-Rays können daher Filme mit deutlich besserer Auflösung gespeichert werden und bieten auf entsprechenden Bildschirmen eine enorm hohe Bildqualität. Blu-Ray-Player sind in der Regel abwärtskompatibel zu DVDs, so dass auch diese abgespielt werden können.
- USA, 1945
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Dieser Titel ist nicht FSK-geprüft.
Eine Lieferung an Minderjährige ist nicht möglich.
Infos zu Titeln ohne Jugendfreigabe - Bestellnummer: 8910383
- Erscheinungstermin: 18.2.2019
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Genre:
Thriller
Spieldauer: 65 Min. - Regie: Joseph H. Lewis
- Darsteller: Nina Foch, May Whitty, George MacReady
- Deutscher Titel: Mein Name ist Julia Ross
- Sprache: Englisch
- Tonformat: mono
- Bild: 4:3 (s/w)
- Untertitel: Englisch
After a promising start on Poverty Row quickies, Joseph H. Lewis (The Big Combo) made his first film at Columbia and established himself as a director to watch with this Gothic-tinged Hitchcockian breakout hit, which later proved so popular that Columbia promoted it to A-feature status.
The morning after Julia Ross (Nina Foch, Executive Suite) takes a job in London as secretary to wealthy widow Mrs Williamson Hughes (Dame May Whitty, The Lady Vanishes), she wakes up in a windswept Cornish mansion, having been drugged. Mrs Hughes and her volatile son, Ralph (George Macready, Gilda), attempt to gaslight Julia into believing she is Ralph’s wife, Marion. Her belongings have been destroyed, the windows barred and the locals believe that she is mad. Will Julia be able to escape before she falls prey to the Hughes’ sinister charade? And what happened to the real Marion Hughes?
A briskly paced and brilliantly stylised mystery that grabs its audience from the start, My Name Is Julia Ross immediately cemented Lewis’ place in the noir pantheon, and anticipated the elaborate identity-based deceptions found in future classic thrillers like Alfred Hitchcock’s Vertigo and Brian De Palma’s Obsession.
Extras
High Definition Blu-ray (1080p) presentation
Original uncompressed mono PCM audio
Optional English subtitles for the deaf and hard-of-hearing
Commentary by noir expert Alan K. Rode
Identity Crisis: Joseph H. Lewis at Columbia - The Nitrate Diva (Nora Fiore) provides the background and an analysis of the film
Theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
Illustrated collector's booklet featuring new writing on the film by author and critic Adrian Martin
The morning after Julia Ross (Nina Foch, Executive Suite) takes a job in London as secretary to wealthy widow Mrs Williamson Hughes (Dame May Whitty, The Lady Vanishes), she wakes up in a windswept Cornish mansion, having been drugged. Mrs Hughes and her volatile son, Ralph (George Macready, Gilda), attempt to gaslight Julia into believing she is Ralph’s wife, Marion. Her belongings have been destroyed, the windows barred and the locals believe that she is mad. Will Julia be able to escape before she falls prey to the Hughes’ sinister charade? And what happened to the real Marion Hughes?
A briskly paced and brilliantly stylised mystery that grabs its audience from the start, My Name Is Julia Ross immediately cemented Lewis’ place in the noir pantheon, and anticipated the elaborate identity-based deceptions found in future classic thrillers like Alfred Hitchcock’s Vertigo and Brian De Palma’s Obsession.
Extras
High Definition Blu-ray (1080p) presentation
Original uncompressed mono PCM audio
Optional English subtitles for the deaf and hard-of-hearing
Commentary by noir expert Alan K. Rode
Identity Crisis: Joseph H. Lewis at Columbia - The Nitrate Diva (Nora Fiore) provides the background and an analysis of the film
Theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
Illustrated collector's booklet featuring new writing on the film by author and critic Adrian Martin