Robert de Niro and Al Pacino have acted opposite each other only once, in Heat, Michael Mann's operatic 1995 heist thriller. De Niro is Neil McCauley, a skilled professional thief at the centre of a tight-knit criminal team; Pacino is Vincent Hanna, the haunted, driven cop determined to hunt him down. Boasting a series of meticulously orchestrated setpieces that underline Mann's sense of scale and architecture, Heat also presents a rhapsody to Los Angeles, as Hanna closes in on his prey. For Nick James, the pleasures and virtues of Heat are mixed and complex. Its precise compositions and minimalist style are entangled with a particular kind of extravagant bombast. And while its vision of male teamwork is richly compelling it comes close to glorifying machismo. But these complexities only add to the interest of this hugely ambitious and accomplished film, which confirmed Mann's place in the front rank of American film-makers. In his afterword to this new edition, published to coincide with the film's 30th anniversary, Nick James reflects upon its lasting impact and on Michael Mann's subsequent film-making career.
Biografie
Nick James is Professor of Clinical Oncology at the University of Birmingham. He has a long standing interest in communication of information to patients and founded the CancerHelp UK website in 1994 (www.cancerhelp.org.uk), now one of the largest patient websites in the world and the winner of many awards. He has written numerous research papers as well as a large number of contributions to multi-author text books and key review articles.
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