Theatre Criticism – alle Bücher, Seite 2

Julian Meyrick,
Theatre and Australia

"The first short summary of Australian theatre from a post-colonial viewpoint, written in an accessible and readable format for students of theatre and performance"--

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Saeed Talajooy
Iranian Culture in Bahram Beyzaie's Cinema and Theatre

Since the beginning of his artistic career in 1959, Bahram Beyzaie's oeuvre has incorporated various aspects of Iranian, Euro-American, Chinese, Japanese, and Indian performance traditions and cinema. Bey…

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Katharine Goodland,
Shakespeare in the Theatre: Tina Packer

This book examines the work of acclaimed director Tina Packer, founder of Shakespeare & Company, whose ground-breaking approach to performing Shakespeare has made her company among the most vibrant and en…

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Paul Gagliardi
All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project

"This book examines how comic plays of the Federal Theatre Project challenged work norms promoted by the federal government during the Great Depression"--

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Paul Gagliardi
All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project

"This book examines how comic plays of the Federal Theatre Project challenged work norms promoted by the federal government during the Great Depression"--

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EUR 37,90*

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Michael Y Bennett
Between the Lines

In thinking about the conceptual empty spaces of theatre, Between the Lines: A Philosophy of Theatre investigates theatre as an art form, the properties of theatrical characters and theatrical worlds, and…

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The Cambridge Companion to British Theatre Since 1945

"British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion ranges beyond plays alone to guide students through the historical, social and political co…

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Deborah C Payne
The Business of English Restoration Theatre, 1660-1700

"Deborah C. Payne's groundbreaking study explores how the duopoly established in 1660 - adopted to create an upmarket, elite theatre - unexpectedly reshaped company practices, stagecraft, and the professi…

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Michael McKinnie,
Theory for Theatre Studies: Economics

How do the use of economic categories (such as capital, commodification, financialisation, labour, property, value, money, production, and consumption) help us understand the operations of theatre, and th…

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Michael McKinnie,
Theory for Theatre Studies: Economics

How do the use of economic categories (such as capital, commodification, financialisation, labour, property, value, money, production, and consumption) help us understand the operations of theatre, and th…

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Martin Jörg Schäfer, Alexander Weinstock
Theatre in Handwriting

Theater (Transcript Verlag) -Band 157

In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context…

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Marchella Ward
Blindness and Spectatorship in Ancient and Modern Theatres

"Debunks stereotypes about blindness, in which readers, receivers and spectators from antiquity to the present have been implicated because their persistence relies on audiences to perpetuate them. Argues…

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Danielle Rosvally
Theatres of Value

Explores the value of Shakespeare for theatrical businesspeople and audiences in nineteenth-century New York City.

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EUR 133,25*

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Tom Drayton,
Metamodernism in Contemporary British Theatre

"Postmodern theatre is dead. A new theatre is rising - one that combines the well-worn postmodern aesthetics of irony, detachment, and deconstruction with a paradoxical interest in authenticity, engagemen…

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Kenneth Elliott
Beyond Ridiculous

"Beyond Ridiculous tells the story of Theatre-in-Limbo, a downtown band of actors formed in 1984 by playwright and soon-to-be drag legend Charles Busch, and director Kenneth Elliott. They performed Vampir…

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Caterina Pan
Popular Theatre in Early Modern England, Germany and Italy (1570-1640)

Wissenschaft und Kunst -Band 38

This study explores the influence of English and Italian itinerant companies on early modern German theatre. A central aspect that mediated this intercultural adaptation is 'popular culture', i.e. a netwo…

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Theatre Criticism – alle Bücher, Seite 2

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