Lee Ritenour: Smoke ´N´ Mirrors (CD)

Lee Ritenour (geb. 1952)

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Label:: Peak
Aufnahmejahr ca.:: 2006
UPC/EAN:: 0888072300187
Erscheinungstermin:: 22.8.2006

Album digital in HD (Werbung)

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True to its intriguing and provocative title, Lee Ritenour's latest CD Smoke N' Mirrors takes listeners on a magical, multi-faceted global journey unlike any other in the legendary guitarist's three decade, nearly 40 album career. Inspired by his very first trip to South Africa in 2005, where he performed five hugely successful concerts at festivals in Johannesburg and Capetown, with Smoke N' Mirrors, Ritenour takes an expansive, polyrhythmic approach, working with musicians from South Africa, Cameroon-West Africa, Brazil, Columbia, Peru and India. Also joining him on this recording is an exciting mix of old friends who happen to be some of America's top jazz performers. Among those featured are pianists Dave Grusin and Patrice Rushen; drummer Vinnie Colaiuta; along with bassists John Patitiucci, Brian Bromberg, Abraham Laboriel and Richard Bona. There are eight percussionists on the record including Sheila E., Alex Acuna and Paulinho Da Costa and on tables is Satnam Ramgotra from India. Ever the innovator, Ritenour employs a total of 12 guitars, his most ever, to achieve what can only be described as sonic perfection. These include the Gibson Lee Ritenour Model and a wide variety of baritone, steel and high string guitars.

Smoke N' Mirrors also marks the American recording debut of South African singing sensation Zamajobe on three songs as well as the composing and recording debut of Ritenour's thirteen- year-old son Wesley, a highly talented drummer. Wes adds brushes to Zamajobe's original song, the exotic call and response anthem "Memeza," and also composed the graceful melody of the soulful and atmospheric "Stone Cool."

"The concept for the album came from a lot of different sources, all of which coalesced with my trip to South Africa," Ritenour says. "I'd been getting letters for years asking me to come and perform there. I did a lot of touring throughout the U. S., Asia and Europe during 2005, and everything timed nicely for me to play in Capetown and Johannesburg in late August after my Western European dates. While the festivals there included some American acts, I was more excited by the native African players and some of the most intoxicating percussion and rhythm guitar playing I'd ever heard. Over the years, I have become more and more attracted to African music, and this trip solidified that connection for me."

Ritenour's title Smoke N' Mirrors has a subtle political connotation, but on the creative side, it refers to some incredibly magical, serendipitous moments that occurred during the conception and recording process. The guitarist "discovered" the singer Zamajobe - a recent South African New Artist of the Year winner who had just released her hit debut album in that country--one restless night while watching TV in Capetown,. He saw several of her videos on South Africa's version of MTV and loved her voice, especially the difference when she sang English (with almost a Sade like quality) to when she performed in her native African language. Back in L. A., Rit contacted her label Sony BMG and soon was talking via email and phone to her guitar player and producer Eric Pilani. Through the magic of high speed internet and back and forth MP3 files, Rit was able to get her sensuous vocals on an Africanized version of Bill Withers' "Lovely Day" and an old school soul jazz take on Patrice Rushen's "Forget Me Nots" (which also features Rushen on vocals, Fender Rhodes and organ). Smoke N' Mirrors also features Zamajobe's original song "Memeza," a shorter version of which appeared on her own album.

Another unexpected hookup happened with singer / songwriter Daniel Jobim, grandson of Brazilian legend Antonio Carlos Jobim, whom Ritenour hadn't seen to in years. Rit had been looking for an original, authentic Brazilian tune for the project when he ran into Jobim by chance in L. A. The multi-talented performer sent Rit an MP3 file of the ultra-romantic "Blue Days (Dias Azuis"). Lee loved the tune and kept Jobim's original lead vocal on the final track. The song also includes additional lead vocals by Brazilian singing sensation Joyce, Rit on acoustic guitar, Grusin on piano, Patitucci on acoustic bass and Danilo Caymmi's tender flute. Other key tracks on the CD include: the hypnotic title track; a revisit of Grusin's Brazilian flavored 1989 song "Southwest Passage;" the spirited, guitar-driven songs "Capetown" and the "Township," "Water's Edge," which displays Ritenour's genius for masterful fingerstyling; "Spellbinder," featuring Bromberg's grooving bass and Indian born tabla master Satnam Ramgotra; and the electric rock-flavored "Motherland." (peakrecords. com)

Rezensionen

"Ritenour continues his tradition of excellence with Smoke 'n' Mirrors. He is joined by a stellar lineup that includes, among others, Patrice Rushen, John Patitucci, Vinnie Colaiuta and Ritenour's son Wesley....Ritenour is in perfect form throughout, although the guest musicians and vocalists are more out front than usual. Smoke 'n' Mirrors is Lee Ritenour, but it's also the excellent cast of supporting performers—a formula that works well." (allaboutjazz. com)

"While reviewing a Lee Ritenour album one would think that you would spend most of the time focusing on his always magnificent guitar work. This disc has so many sparkling performances from numerous musicians and several vocalists that focusing solely on Ritenour is impossible....I rarely draw influence from another reviewer but one writer referred to this album as “timeless” and I have to agree. This is the most innovative jazz album I have listened to this year." (jazzpolice. com)