Brad Mehldau: Live In Tokyo
Live In Tokyo
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- Label: Nonesuch, 2003
- Erscheinungstermin: 27.9.2004
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Brad Mehldau recently was described by the Washington Post as “one of his generation’s most gifted and thoughtful pianists.” On his Nonesuch debut, Brad Mehldau Live in Tokyo, he interprets material from artists as varied as George and Ira Gershwin, Thelonius Monk, Nick Drake, and Radiohead. The record, which was recorded during a recent solo performance in Japan, will be released on September 14, 2004.
Mehldau first came to the attention of jazz audiences in the early 1990s as a member of saxophonist Joshua Redman’s quartet. He soon embarked on a recording career of his own, releasing ten critically acclaimed albums on Warner Bros. during the last decade. Included among them are five volumes of his Art of the Trio series with bassist Larry Grenadier and drummer Jorge Rossy; a classically inspired solo studio disc, Elegiac Cycle; and Largo, an experimental outing with producer Jon Brion (Aimee Mann, Fiona Apple) that introduced electronic and subtle pop elements into Mehldau’s approach. His most recent trio record, Anything Goes—which the New York Times called “the best Mehldau record yet”—was released in early 2004. Mehldau currently is working on a piece commissioned by Carnegie Hall for voice and piano, to be performed in the spring of 2005 with soprano Renee Fleming.
Speaking of this recording and his new label, Mehldau said, I’m very happy and excited about my new relationship with Nonesuch Records. I’ve been a great fan of so many recordings from Nonesuch over the years—Dawn Upshaw’s lieder recitals, Richard Goode’s Beethoven Sonata Cycle, Bill Frisell’s recordings, or Steve Reich’s music, just to name a few. It’s a real honor to be associated with such a level of integrity. From the first time I met Bob Hurwitz and talked with him, it struck me that he is first and foremost concerned with the musical quality of the recordings he is involved with, and everything else is secondary. Many other people in the music business may preach a ‘music first’ philosophy, but the team at Nonesuch is actually practicing that philosophy”.
Nonesuch President Robert Hurwitz added, “I have greatly admired Brad from a distance for years; when the opportunity arose for a chance to work with him, we immediately jumped at it. It is one thing to be a great pianist, another to be an original, and yet another to be a visionary. To be all three at once is the rarest of events. We feel Brad is this rare of a musician, and we are privileged to be working with him at Nonesuch.”
Erst kürzlich wieder beschrieb die Washington Post Brad Mehldau als »einen der begabtesten und nachdenklichsten Pianisten seiner Generation.« Auf »Live In Tokyo« bestätigt er diese Einschätzung mit Interpretationen von Material so unterschiedlicher Künstler wie Cole Porter, George und Ira Gershwin, Thelonious Monk, Nick Drake und Radiohead.
Mehldau first came to the attention of jazz audiences in the early 1990s as a member of saxophonist Joshua Redman’s quartet. He soon embarked on a recording career of his own, releasing ten critically acclaimed albums on Warner Bros. during the last decade. Included among them are five volumes of his Art of the Trio series with bassist Larry Grenadier and drummer Jorge Rossy; a classically inspired solo studio disc, Elegiac Cycle; and Largo, an experimental outing with producer Jon Brion (Aimee Mann, Fiona Apple) that introduced electronic and subtle pop elements into Mehldau’s approach. His most recent trio record, Anything Goes—which the New York Times called “the best Mehldau record yet”—was released in early 2004. Mehldau currently is working on a piece commissioned by Carnegie Hall for voice and piano, to be performed in the spring of 2005 with soprano Renee Fleming.
Speaking of this recording and his new label, Mehldau said, I’m very happy and excited about my new relationship with Nonesuch Records. I’ve been a great fan of so many recordings from Nonesuch over the years—Dawn Upshaw’s lieder recitals, Richard Goode’s Beethoven Sonata Cycle, Bill Frisell’s recordings, or Steve Reich’s music, just to name a few. It’s a real honor to be associated with such a level of integrity. From the first time I met Bob Hurwitz and talked with him, it struck me that he is first and foremost concerned with the musical quality of the recordings he is involved with, and everything else is secondary. Many other people in the music business may preach a ‘music first’ philosophy, but the team at Nonesuch is actually practicing that philosophy”.
Nonesuch President Robert Hurwitz added, “I have greatly admired Brad from a distance for years; when the opportunity arose for a chance to work with him, we immediately jumped at it. It is one thing to be a great pianist, another to be an original, and yet another to be a visionary. To be all three at once is the rarest of events. We feel Brad is this rare of a musician, and we are privileged to be working with him at Nonesuch.”
Erst kürzlich wieder beschrieb die Washington Post Brad Mehldau als »einen der begabtesten und nachdenklichsten Pianisten seiner Generation.« Auf »Live In Tokyo« bestätigt er diese Einschätzung mit Interpretationen von Material so unterschiedlicher Künstler wie Cole Porter, George und Ira Gershwin, Thelonious Monk, Nick Drake und Radiohead.
Rezensionen
J. Völz in Jazzthing 9-10/04: "Ein Ereignis ist das na- türlich sowieso, wenn der herausragende Pianist der letzten zehn Jahre, Brad Mehldau, zum ersten Mal ein Solo- album vorlegt. Bekanntlich ist das Solospiel die schwer- ste Prüfung für einen Jazzpianisten, nicht wenige Große sind daran gescheitert. Brad Mehldau dagegen wächst auf diesem Live-Mitschnitt aus Tokio über sich hinaus. Es gibt Momente, da muss man diese Musik ausschalten. Sie ist einfach zu intensiv. Zu großartig." H. Sterner in stereoplay 10/04: "Konzerte mit Brad Mehldau sind etwas Besonderes. Der US-Pianist erklimmt mit seinen Hörern zerklüftete Berge, begibt sich mit ihnen an Ab- gründe, schreitet entspannt über üppige Wiesen und wühlt in der Erde. Sein Solokonzert vom Februar 2003 in Tokio ist solch eine emotionale Klangreise. Klassiker von George Gershwin und Thelonius Monk reiben sich an Titeln von Radiohead und dem Pop-Poeten Nick Drake. Dieses Programm steckt voller Gegensätze."- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Things behind the sun
- 2 Intro [From "Live In Tokyo"]
- 3 Someone to watch over me
- 4 From this moment on
- 5 Monk's dream
- 6 Paranoid android
- 7 How long has this been going on?
- 8 River man
