Carlo Maria Giulini - The Complete Sony Recordings
Carlo Maria Giulini - The Complete Sony Recordings
Ruth Ziesak, Roberta Alexander, Lynne Dawson, Herbert Lippert, Andreas Schmidt, Evgeny Kissin, Salvatore Accardo, Paul Crossley, Sharon Sweet, Jard van Nes, Ernst Senff Chor Berlin, Berliner Philharmoniker, Filarmonica della Scala, Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks, Philharmonia Orchestra, Wiener Philharmoniker, Carlo Maria Giulini
und weitere
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Mozart: Symphonien Nr. 39-41; Sinfonia concertante KV 297b; Requiem KV 626
+Beethoven: Symphonien Nr. 1-8; Coriolan-Ouvertüre op. 62; Egmont-Ouvertüre op. 84; Violinkonzert op. 61; Romanzen Nr. 1 & 2 für Violine & Orchester
+Schubert: Symphonien Nr. 4, 8, 9; Messe D. 950
+Schumann: Klavierkonzert op. 54
+Dvorak: Symphonien Nr. 7-9
+Ravel: Ma mere l’oye
+Debussy: La Mer; Prelude a l’apres-midi d’un faune; Pavane pour une infante
+Franck: Symphonie d-moll; Symphonische Variationen für Klavier & Orchester;
+Mussorgsky: Bilder einer Ausstellung
+Strawinsky: Feuervogel-Suite
+Vivaldi: Credo e-moll RV 591
+Verdi: Quattro Pezzi Sacri
+Bach: Messe h-moll BWV 232
- Künstler: Ruth Ziesak, Roberta Alexander, Lynne Dawson, Herbert Lippert, Andreas Schmidt, Evgeny Kissin, Salvatore Accardo, Paul Crossley, Sharon Sweet, Ernst Senff Chor, Jard van Nes, Berliner Philharmoniker, Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks, Philharmonia Orchestra, La Scala Philharmonic Orchestra, Wiener Philharmoniker, Carlo Maria Giulini
- Label: Sony, DDD, 1989-1995
- Erscheinungstermin: 18.4.2014
- Serie: Sony Classical
Ähnliche Artikel
Carlo Maria Giulini zählt zu den führenden und berühmtesten italienischen Dirigenten seiner Zeit und arbeitete mit allen großen Orchestern wie den Berliner Philharmonikern, den Wiener Philharmonikern oder dem Royal Concertgebouw Orcheestra zusammen.
Anlässlich seines 100. Geburtstages im Mai 2014 veröffentlicht Sony Classical eine 22 CDs umfassende limitierte Edition, die alle Einspielungen für das Label zwischen 1989 bis zu seinem Tod 2005 beinhaltet.
Mit herausragenden Aufnahmen wie den Sinfonien von Ludwig van Beethoven, die er zusammen mit dem Filarmonica della Scala eingespielt hat oder den von der Presse hochgelobten Einspielungen der Sinfonien 39, 40 und 41 von Wolfgang Amadeus Mozart, gemeinsam mit den Berliner Philharmonikern. Weitere Highlights dieser preisgünstigen CD-Edition sind die Einspielungen der Messen von Es-Dur von Schubert und h-Moll von Bach mit dem Chor und Symphonieorchester des Bayerischen Rundfunks oder die Einspielungen der Sinfonien 7-9 von Antonin Dvorak, gemeinsam mit dem Royal Concertgebouw Orchestra.
“Impeccably played by the BPO, the precision and polish of ensemble, the exactness of intonation, and the transparency and delicacy of texture are a delight from beginning to end.” The American Record Guide’s verdict on Carlo Maria Giulini’s 1991 coupling of Mozart’s last two symphonies (Nos. 40 & 41) is a summary of musical virtues that could apply equally well to virtually any recording by the revered Italian maestro, whose centenary in 2014 is being marked by Sony Classical with the release of a celebratory 23-CD boxed set. Reporting his death in June 2005, the New York Times lamented the passing of “an idealistic maestro acclaimed for his refined and insightful accounts of the standard orchestral repertory”, “a deeply spiritual musician … who achieved results by projecting serene authority and providing a model of selfless devotion to the score”; while London’s Daily Telegraph paid tribute to “a tall man with saturnine good looks and the deportment of a Roman aristocrat” who “made no flamboyant gestures to win the adulation of audiences, but was such a charismatic presence on the rostrum that his popularity was immense.” A former orchestral violist, Giulini was always a player’s conductor – neither a showman nor a martinet, more of a high priest or philosopher of the podium, completely and utterly dedicated to serving the composer, not his own ego. Yet, despite his modest, self-effacing manner and avoidance of platform histrionics, Giulini’s conducting career had begun in the most dramatic circumstances. An ardent anti-Fascist, he had gone into hiding to avoid conscription into the Italian army, only to re-emerge after the Allied liberation of Rome in June 1944 and make his conducting debut with an all-Brahms concert to celebrate the occasion. Soon widely recognised as the leading Italian conductor of his generation, Giulini went on to enjoy a dazzling international career in both the opera house and the concert hall, holding principal positions with such prestigious organisations as La Scala, Milan (where he famously collaborated with Maria Callas and the stage directors Franco Zeffirelli and Luchino Visconti), the Chicago and Vienna Symphony Orchestras, and the Los Angeles Philharmonic. Mainly dating from the 1990s, at a time when Giulini’s artistry was at its most refined but his live appearances had become increasingly rare, these benchmark Sony Classical recordings of masterworks by Bach, Mozart, Beethoven and others perfectly encapsulate what the Grove Dictionary of Music & Musicians calls “the exceptional mellowness of his interpretations, the richness of his string textures and the seriousness of purpose with which he inspired both instrumentalists and singers”.
Anlässlich seines 100. Geburtstages im Mai 2014 veröffentlicht Sony Classical eine 22 CDs umfassende limitierte Edition, die alle Einspielungen für das Label zwischen 1989 bis zu seinem Tod 2005 beinhaltet.
Mit herausragenden Aufnahmen wie den Sinfonien von Ludwig van Beethoven, die er zusammen mit dem Filarmonica della Scala eingespielt hat oder den von der Presse hochgelobten Einspielungen der Sinfonien 39, 40 und 41 von Wolfgang Amadeus Mozart, gemeinsam mit den Berliner Philharmonikern. Weitere Highlights dieser preisgünstigen CD-Edition sind die Einspielungen der Messen von Es-Dur von Schubert und h-Moll von Bach mit dem Chor und Symphonieorchester des Bayerischen Rundfunks oder die Einspielungen der Sinfonien 7-9 von Antonin Dvorak, gemeinsam mit dem Royal Concertgebouw Orchestra.
Product Information
“Impeccably played by the BPO, the precision and polish of ensemble, the exactness of intonation, and the transparency and delicacy of texture are a delight from beginning to end.” The American Record Guide’s verdict on Carlo Maria Giulini’s 1991 coupling of Mozart’s last two symphonies (Nos. 40 & 41) is a summary of musical virtues that could apply equally well to virtually any recording by the revered Italian maestro, whose centenary in 2014 is being marked by Sony Classical with the release of a celebratory 23-CD boxed set. Reporting his death in June 2005, the New York Times lamented the passing of “an idealistic maestro acclaimed for his refined and insightful accounts of the standard orchestral repertory”, “a deeply spiritual musician … who achieved results by projecting serene authority and providing a model of selfless devotion to the score”; while London’s Daily Telegraph paid tribute to “a tall man with saturnine good looks and the deportment of a Roman aristocrat” who “made no flamboyant gestures to win the adulation of audiences, but was such a charismatic presence on the rostrum that his popularity was immense.” A former orchestral violist, Giulini was always a player’s conductor – neither a showman nor a martinet, more of a high priest or philosopher of the podium, completely and utterly dedicated to serving the composer, not his own ego. Yet, despite his modest, self-effacing manner and avoidance of platform histrionics, Giulini’s conducting career had begun in the most dramatic circumstances. An ardent anti-Fascist, he had gone into hiding to avoid conscription into the Italian army, only to re-emerge after the Allied liberation of Rome in June 1944 and make his conducting debut with an all-Brahms concert to celebrate the occasion. Soon widely recognised as the leading Italian conductor of his generation, Giulini went on to enjoy a dazzling international career in both the opera house and the concert hall, holding principal positions with such prestigious organisations as La Scala, Milan (where he famously collaborated with Maria Callas and the stage directors Franco Zeffirelli and Luchino Visconti), the Chicago and Vienna Symphony Orchestras, and the Los Angeles Philharmonic. Mainly dating from the 1990s, at a time when Giulini’s artistry was at its most refined but his live appearances had become increasingly rare, these benchmark Sony Classical recordings of masterworks by Bach, Mozart, Beethoven and others perfectly encapsulate what the Grove Dictionary of Music & Musicians calls “the exceptional mellowness of his interpretations, the richness of his string textures and the seriousness of purpose with which he inspired both instrumentalists and singers”.
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 22 (CD)
Sinfonie Nr. 39 in E-Flat Major, KV. 543 (Es-Dur / En mi bemol majeur / In mi bemolle maggiore)
- 1 I. Adagio - Allegro
- 2 II. Andante con moto
- 3 Iii. Menuetto, Allegretto - Trio
- 4 IV. Finale, Allegro
Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon & Orchestra in E-Flat Major, KV. 297B (Anh. C 14.01) - Instrument
- 5 I. Allegro
- 6 II. Adagio
- 7 Iii. Andantino Con Variazioni
Disk 2 von 22 (CD)
Sinfonie Nr. 40 in G Minor, K. 550
- 1 I. Molto allegro
- 2 II. Andante
- 3 Iii. Menuetto - Allegretto - Trio
- 4 IV. Allegro assai
Sinfonie Nr. 41 in C Major, K. 551 'Jupiter'
- 5 I. Allegro vivace
- 6 II. Andante cantabile
- 7 Iii. Menuetto - Allegretto - Trio
- 8 IV. Molto allegro
Disk 3 von 22 (CD)
Requiem Mass in D Minor, K. 626
- 1 I. Introitus
- 2 II. Kyrie
- 3 Iii. Sequentia - Dies Irae
- 4 2. Tuba Mirum
- 5 Iii. Sequentia - Rex Tremendae
- 6 4. Recordare
- 7 Iii. Sequentia - Confutatis
- 8 Iii. Sequentia - Lacrimosa
- 9 IV. Offertorium: 1. Domine Jesu
- 10 2. Hostias
- 11 3. Quam olim Abrahae
- 12 V. Sanctus
- 13 VI. Benedictus
- 14 Vii. Agnus Dei
- 15 Viii. Communio - Lux Aeterna
Disk 4 von 22 (CD)
Sinfonie Nr. 1 in C Major, op. 21
- 1 I. Adagio molto - Allegro con brio
- 2 II. Andante cantabile con moto
- 3 Iii. Menuetto, Allegro Molto E Vivace
- 4 IV. Adagio - Allegro molto e vivace
Sinfonie Nr. 7 in A Major, op. 92
- 5 I. Poco sostenuto - Vivace
- 6 II. Allegretto
- 7 Iii. Presto - Presto Meno Assai
- 8 IV. Allegro con brio
Disk 5 von 22 (CD)
Sinfonie Nr. 2 in D Major, op. 36
- 1 I. Adagio molto - Allegro con brio
- 2 II. Larghetto
- 3 Iii. Scherzo - Allegro
- 4 IV. Allegro molto
Sinfonie Nr. 8 in F Major, op. 93
- 5 I. Allegro vivace e con brio
- 6 II. Allegretto scherzando
- 7 Iii. Tempo Di Menuetto
- 8 IV. Allegro vivace
Disk 6 von 22 (CD)
Sinfonie Nr. 3 in E-Flat Major, op. 55 'Eroica'
- 1 I. Allegro con brio
- 2 II. Marcia funebre. Adagio assai
- 3 Iii. Scherzo. Allegro Vivace
- 4 IV. Finale. Allegro molto
Disk 7 von 22 (CD)
Sinfonie Nr. 5 in C Minor, op. 67
- 1 I. Allegro con brio
- 2 II. Andante con moto
- 3 Iii. Allegro
- 4 IV. Allegro
Sinfonie Nr. 4 in B-Flat Major, op. 60 - Instrumental
- 5 I. Adagio - Allegro vivace
- 6 II. Adagio
- 7 Iii. Allegro Vivace
- 8 IV. Allegro ma non troppo
Disk 8 von 22 (CD)
Overture 'Coriolan', op. 62
- 1 Allegro con brio
Sinfonie Nr. 6 in F Major, op. 68 'Pastoral'
- 2 I. Awakening of Cheerful Feelings Upon Arrival in the Country
- 3 II. Scene by the Brook
- 4 Iii. Merry Gathering Of Country Folk
- 5 IV. Thunderstorm
- 6 V. Shepherd's Song, Happy and Thankful Feelings After the Storm, Chant Pastoral
- 7 Ludwig van Beethoven: Overture 'Egmont', op. 84: Sostenuto, ma non troppo - Allegro
Disk 9 von 22 (CD)
Concerto for Violin and Orchestra in D Major, op. 61
- 1 I. Allegro ma non troppo
- 2 II. Larghetto
- 3 Iii. Rondo - Allegro
- 4 Ludwig van Beethoven: Romance for Violin and Orchestra No. 1 in G Major, op. 40
- 5 Ludwig van Beethoven: Romance for Violin and Orchestra No. 2 in F Major, op. 50
Disk 10 von 22 (CD)
Sinfonie Nr. 7 (alte Nr. 8) h-moll D 759 "Unvollendete"
- 1 I. Allegro moderato
- 2 II. Andante con moto
Sinfonie Nr. 4 in C Minor, D. 417 'Tragic'
- 3 I. Adagio molto - Allegro vivace
- 4 II. Andante
- 5 Iii. Menuetto, Allegro Vivace - Trio
- 6 IV. Allegro
Disk 11 von 22 (CD)
Sinfonie Nr. 8 (9) in C Major, D. 944 'The Great'
- 1 I. Andante - Allegro ma non troppo
- 2 II. Andante con moto
- 3 Iii. Scherzo - Allegro Vivace - Trio
- 4 IV. Allegro vivace
Disk 12 von 22 (CD)
Messe Nr. 6 Es-Dur D 950
- 1 I. Kyrie
- 2 Gloria in excelsis Deo
- 3 Domina Deus, agnus Dei
- 4 Quoniam tu solus sanctus - Cum sancto Spiritu
- 5 Credo in unum Deum
- 6 Et incarnatus est
- 7 Et resurrexit
- 8 IV. Sanctus
- 9 Osanna in excelsis Deo
- 10 V. Benedictus
- 11 Osanna in excelsis Deo
- 12 VI. Agnus Dei
- 13 Dona nobis pacem
Disk 13 von 22 (CD)
Konzert für Klavier und Orchester a-moll op. 54
- 1 I. Allegro affettuoso
- 2 II. Intermezzo, Andantino grazioso
- 3 Iii. Allegro Vivace
- 4 Robert Schumann: Arabeske C-Dur op. 18
- 5 Franz Schubert: Die Forelle
- 6 Franz Schubert: Erlkönig
- 7 Edvard Grieg: Aus dem Karneval, op. 19, Nr. 3
- 8 Edvard Grieg: Ich liebe dich, op. 41, Nr. 3
- 9 Franz Liszt: Soirees de Vienne: Valse caprice nach Franz Schubert Nr. 6 - First version
Disk 14 von 22 (CD)
Sinfonie Nr. 7 in D Minor, op. 70
- 1 I. Allegro maestoso
- 2 II. Poco adagio
- 3 Iii. Scherzo - Vivace
- 4 IV. Finale - Allegro
Disk 15 von 22 (CD)
Sinfonie Nr. 9 in E Minor, op. 95 'From the New World'
- 1 I. Adagio - Allegro molto
- 2 II. Largo
- 3 Iii. Scherzo - Molto Vivace
- 4 IV. Allegro con fuoco
Disk 16 von 22 (CD)
Sinfonie Nr. 8 in G Major, op. 88
- 1 I. Allegro con brio
- 2 II. Adagio
- 3 Iii. Allegretto Grazioso
- 4 IV. Allegro ma non troppo
Ma mere l'oye, M. 60
- 5 I. Pavane de la Belle au bois dormant
- 6 II. Petit poucet
- 7 Iii. Laideronette, Imperatrice Des Pagodes
- 8 IV. Les entretiens de la Belle et de la Bete
- 9 V. Le jardin feerique
Disk 17 von 22 (CD)
La mer, L. 109 (Three Symphonic Sketches)
- 1 I. De l'aube a midi sur la mer
- 2 II. Jeux de vagues
- 3 Iii. Dialogue Du Vent Et De La Mer
Prelude a l'apres-midi d'un faune, L. 86
- 4 Tres modere
Pavane pour une infante defunte, M. 19
- 5 Lent
Ma Mere l'Oye (Five Children's Pieces), M. 60
- 6 I. Pavane de la belle au bois dormant
- 7 II. Petit poucet
- 8 Iii. Laideronnette, Imperatrice Des Pagodes
- 9 IV. Les entretiens de la Belle et de la Bete
- 10 V. Le jardin feerique
Disk 18 von 22 (CD)
Symphony in D Minor (Live)
- 1 I. Lento - Allegro non troppo (Live)
- 2 II. Allegretto - Attacca (Live)
- 3 Iii. Allegro Non Troppo (Live)
Symphonic Variations for Piano and Orchestra
- 4 Poco allegro - Allegro - Allegretto quasi andante - Molto piu lento - Allegro non troppo - Un pochettino ritenuto - Temp
Disk 19 von 22 (CD)
Pictures at an Exhibition
- 1 Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto
- 2 I. Gnomus (The Gnome). Vivo
- 3 Promenade. Moderato comodo e con delicatezza
- 4 II. Il vecchio castello (The old castle). Andante molto cantabile e con dolore
- 5 Promenade. Moderato non tanto, pesamente
- 6 Iii. Tuileries (Children's Dispute After Game). Allegretto Non Troppo, Capriccioso
- 7 IV. Bydlo. Sempre moderato, pesante
- 8 Promenade. Tranquillo
- 9 V. Ballet des petits poussins dans leurs coques (Ballet of the unhatched chickens). Scherzino: Vivo leggiero
- 10 VI. Samuel Goldenburg and Schmuyle. Andante
- 11 Vii. Limoges: Le Marche (The Market Place Of Limoges). Allegretto Vivo, Sempre Scherzando
- 12 Viii. Catacombae: Sepulchrum Romanum (Catacombs: A Roman Grave). Largo
- 13 Cum mortuis in lingua morta (With the dead in a dead language). Andante non troppo, con lamento
- 14 IX. La cabane de Baba-Yaga sur des pattes de poule (The hut of Baba-Yaga on chicken's legs). Allegro con brio, feroce -
- 15 X. La grande porte de Kiev (The great gate of Kiev). Allegro alla breve. Maestoso. Con grandezza
The Firebird Suite (1919)
- 16 Introduction
- 17 Dance of the Firebird
- 18 The Firebird's Variation
- 19 Round Dance of the Princesses (Khorovod)
- 20 Infernal Dance of King Kastchei
- 21 Berceuse
- 22 Finale
Disk 20 von 22 (CD)
Credo in E Minor, RV. 591 for Chorus in 4 parts, Strings and Continuo
- 1 Credo: Allegro
- 2 Et incarnatus est: Adagio
- 3 Crucifixus: Largo
- 4 Et resurrexit: Allegro
Quattro Pezzi Sacri
- 5 Ave Maria: Moderato (Scala enigmatica armonizzata a quattro voci miste)
- 6 Stabat Mater: Sostenuto
- 7 Laudi alla Vergine Maria: Moderato (Dante: Paradiso, xxxiii)
- 8 Te Deum: Sostenuto
Disk 21 von 22 (CD)
Mass In B Minor, Bwv 232 'hohe Messe'
- 1 Chorus No. 1 - Kyrie eleison
- 2 No. 2 Duet: Christe eleison
- 3 Chorus - Kyrie eleison
- 4 No. 4 Chorus: Gloria in excelsis
- 5 No. 5 Chorus: Et in terra pax
- 6 No. 6 Aria: Laudamus te
- 7 No. 7 Chorus: Gratias agimus tibi
- 8 No. 8 Duet: Domine Deus
- 9 No. 9 Chorus: Qui tollis peccata mundi
- 10 No. 10 Aria: Qui sedes ad dextram Patris
- 11 No. 11 Aria: Quoniam tu solus Sanctus
- 12 Chorus No. 12 - Cum Sancto Spiritu
Disk 22 von 22 (CD)
Mass In B Minor, Bwv 232 'hohe Messe'
- 1 No. 1 Chorus: Credo in unum deum
- 2 No. 2 Chorus: Patrem omnipotentem
- 3 No. 3 Duet: Et in unum Dominum
- 4 No. 4 Chorus: Et incarnatus est
- 5 No. 5 Chorus: Crucifixus
- 6 No. 6 Chorus: Et resurrexit
- 7 No. 7 Aria: Et in Spiritum sanctum Dominum
- 8 No. 8 Chorus: Confiteor
- 9 No. 9 Chorus: Et exspecto
- 10 Chorus: Sanctus
- 11 No. 1 Chorus I / II: Osanna in excelsis
- 12 No. 2 Aria: Benedictus qui venit
- 13 No. 3 Chorus I / II: Osanna in excelsis (da capo)
- 14 No. 4 Aria: Agnus Dei
- 15 No. 5 Chorus: Dona nobis pacem
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