Dieterich Buxtehude: Das Orgelwerk
Das Orgelwerk
6
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Derzeit nicht erhältlich.
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- Präludien BuxWV 136-139, 140-153, 162, 163; Praeambulum BuxWV 158; Toccaten BuxWV 155-157, 164, 165; Fugen BWV 174-176; Passacaglia BWV 161; Canzonetta BuxWV 167, 171, 172, 225; Canzonas BuxWV 166, 168, 169, 170, 173; Magnificats BuxWV 203-205; Ciacconas BuxWV 159 & 160; Fantasia BuxWV super Gelobet seist du, Jesu Christ; Te Deum BuxWV 218; Choräle BuxWV 76, 177-181, 183-187, 189-202, 206, 207, 209-215, 217-224
- Künstler: Simone Stella / Orgel Chiesa di Sant' Antonio Abate Padova
- Label: Brilliant Classics, DDD, 2011
- Erscheinungstermin: 28.9.2012
Der italienische Cembalist und Organist
Simone Stella konnte bereits Publikum und
Kritik bei seiner Gesamteinspielung der
Cembalowerke Buxtehudes (Brilliant
Classics 94312) überzeugen.
Buxtehude's organ music is not only a fascinating precursor of his great admirer J. S. Bach but a body of work full of energy and beauty in its own right, a pinnacle of the early-Baroque Protestant aesthetic. Strict and florid counterpoint, lying at the centre of Bach's style, is less important here; rather we can hear vibrant and directly illustrative responses to the texts which lie behind the chorales and instrumental versions of canticles such as the Magnificat and Te Deum. The toccatas and fugues are generally shorter and punchier than the mature Bach's examples, and overall solemnity is generally eschewed in favour of exuberant virtuosity.
These characteristics fit well the mastery of Simone Stella, whose 3CD set of Buxtehude's harpsichord music has already proved him a doughty advocate of the composer. As BBC Music Magazine remarked, "here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings to Buxtehude's boldest strokes, but he's an unfailingly intelligent and revealing guide to a body of work that cries out to be better known." The same is gratifyingly true of the new set, recorded on a bright and authentically tuned modern Italian instrument which nonetheless can aspire to the colours of the Danish organs on which Buxtehude plied his trade.
(brilliantclassics. com)
Product Information
Buxtehude's organ music is not only a fascinating precursor of his great admirer J. S. Bach but a body of work full of energy and beauty in its own right, a pinnacle of the early-Baroque Protestant aesthetic. Strict and florid counterpoint, lying at the centre of Bach's style, is less important here; rather we can hear vibrant and directly illustrative responses to the texts which lie behind the chorales and instrumental versions of canticles such as the Magnificat and Te Deum. The toccatas and fugues are generally shorter and punchier than the mature Bach's examples, and overall solemnity is generally eschewed in favour of exuberant virtuosity.
These characteristics fit well the mastery of Simone Stella, whose 3CD set of Buxtehude's harpsichord music has already proved him a doughty advocate of the composer. As BBC Music Magazine remarked, "here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings to Buxtehude's boldest strokes, but he's an unfailingly intelligent and revealing guide to a body of work that cries out to be better known." The same is gratifyingly true of the new set, recorded on a bright and authentically tuned modern Italian instrument which nonetheless can aspire to the colours of the Danish organs on which Buxtehude plied his trade.
(brilliantclassics. com)
- Tracklisting
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
- 13 Track 13
- 14 Track 14
- 15 Track 15
- 16 Track 16
- 17 Track 17
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