RCA Living Stereo Vol.2 (60CD Collection)
RCA Living Stereo Vol.2 (60CD Collection)
Leonard Warren, Jussi Björling, Zinka Milanov, Maureen Forrester, Giorgio Tozzi, Leontyne Price, David Poleri, Rosalind Elias, Cesare Valletti, Roberta Peters, Jan Peerce, Philip Maero, Robert Merrill, Jon Vickers, Leonie Rysanek, Tito Gobbi, Birgit Nilsson, Lili Chookasian, Carlo Bergonzi, Ezio Flagello, Henryk Szeryng, Julian Bream, Arthur Rubinstein, Byron Janis, Gary Graffman, Vladimir Horowitz, Jascha Heifetz, William Primrose, Gregor Piatigorsky, Van Cliburn, Robert Shaw Chorale, Boston Chorus Pro Musica, Juilliard String Quartet, Melos Ensemble, Symphony of the Air, Chicago Symphony Orchestra, Boston Symphony Orchestra, RCA Victor Symphony Orchestra, Orchestra del Teatro dell'Opera di Roma, Morton Gould And His Orchestra, Boston Pops Orchestra, Metropolitan Opera Orchestra, Robert Shaw Orchestra, Josef Krips, Fritz Reiner, Pierre Monteux, Kirill Kondrashin, Aaron Copland, Arthur Fiedler, Charles Munch, Erich Leinsdorf, Tullio Serafin, Alfred Nash Petterson
und weitere
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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1.-5.CD Beethoven: Klavierkonzerte Nr. 1-5 (Rubinstein, Symphony of the Air, Krips)
6.CD Strauss: Burleske für Klavier & Orchester; Rachmaninoff: Klavierkonzert Nr. 1 (Janis, Chicago Symphony Orchestra, Reiner)
7.CD Tschaikowsky: Symphonie Nr. 6 "Pathetique" (Chicago Symphony Orchestra, Reiner)
8.CD Tschaikowsky: Symphonie Nr. 5 (Boston Symphony Orchestra, Monteux) 9.CD Hovhaness: Mysterious Mountain / Stravinsky: Le baiser de la fee (Chicago Symphony Orchestra, Reiner)
10.CD Brahms: Klavierkonzert Nr. 1 (Graffman, Boston Symphony Orchestra, Munch)
11.CD Mussorgsky: Bilder einer Ausstellung; Liszt: Rigoletto-Paraphrase (Janis) 12. CD Rossini: Ouvertüren (Chicago Symphony Orchestra, Reiner)
13.CD Tschaikowsky: Derr Nussknacker-Suite (Chicago Symphony Orchestra, Reiner)
14.CD Beethoven: Klaviersonaten Nr. 7 & 23 “Appassionata” (Vladimir Horowitz) 15.CD Tschaikowsky: Symphonie Nr. 4 (Boston Symphony Orchestra, Monteux) 16.CD Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder (Forrester, Boston Symphonie Orchestra, Munch)
17.CD Beethoven: Violinsonaten Nr. 5 “Kreutzer” & Nr. 9 “Frühling” (Arthur Rubinstein, Henryk Szeryng)
18.CD Schubert Streichquartett “Der Tod und das Mädchen” (Juilliard String Quartet)
19.CD Khachaturian: Masquerade-Suite; Kabalewsky: The Comedians (RCA Victor Symphony Orchestra, Kondrashin)
20.CD Copland: Appalachian Spring; The Tender Land-Suite (Boston Symphony Orchestra, Copland)
21.CD Bizet: Carmen for Orchestra (Morton Gould and His Orchestra)
22.CD Reiner conducts Wagner (Chicago Symphony Orchestra, Reiner)
23.CD The Virtuoso Liszt (Gary Graffman)
24.CD Brahms: Klavierkonzert Nr. 2 (Richter, Chicago Symphony Orchestra, Leinsdorf)
25.CD Julian Bream spielt Gitarrenkonzerte von Giulini & Arnold (Bream, Melos Ensemble)
26.CD Schubert: Klaviersonate D. 850 (Emil Gilels)
27.CD Beethoven: Serenade op. 8; Kodaly: Duo für Violine & Cello (Jascha Heifetz, William Primrose, Gregor Piatigorsky)
28.CD The Golden Age of English Lute Music (Julian Bream)
29.CD Beethoven: Streichtrio op. 9 Nr. 2; Schubert: Streichtrio Nr. 2 B-Dur; Bach: 3 Sinfonias (Jascha Heifetz, William Primrose, Gregor Piatigorsky)
30.CD Grieg: Klavierkonzert op. 16; Klavierwerke (Rubinstein, Alfred Wallenstein and Orchestra)
31.CD My favorite Chopin (Van Cliburn)
32.CD Saint-Saens: Karneval der Tiere; Britten: The Young Person’s Guide To The Orchestra (Boston Pops Orchestra, Fiedler)
33.CD Chopin: Les Sylphides: Die Liebe zu den drei Orangen-Suite (Boston Pops Orchestra, Fiedler)
34.CD Dvorak: Symphonie Nr. 8 (Boston Symphonie Orchestra, Munch)
35.CD Mahler: Symphonie Nr. 1 (Boston Symphony Orchestra, Leinsdorf)
36.CD Debussy: Prelude a l’apres-midi d’un faune; Nuages; Fetes; Printemps (Boston Symphony Orchestra, Munch)
37.-39.CD Puccini: Tosca (Milanov, Björling, Warren, Rome Opera Orchestra, Leinsdorf)
40./41.CD Beethoven: Symphonien Nr. 8 & 9 (Price, Forrester, Poleri, Tozzi, Boston Symphony Orchestra, Munch)
42./43.CD Berlioz: Romeo e Juliette (Elias, Valletti, Tozzi, Boston Symphony Orchestra, Munch)
44.-46.CD Donizetti: Lucia di Lammermoor (Peters, Peerce, Tozzi, Maero, Rome Opera Orchestra, Leinsdorf)
47.-50.CD Rossini: Der Barbier von Sevilla (Merrill, Peters, Corena, Metropolitan Opera Orchestra, Leinsdorf)
51.-53.CD Verdi: Otello (Vickers, Rysanek, Gobbi, Rome Opera Orchestra, Serafin)
54.-56.CD Bach: Messe h-moll BWV 232 (Robert Shaw Chorale and Orchestra, Shaw)
57./58.CD Verdi: Requiem (Nilsson, Chookasian, Bergonzi, Flagello, Boston Chorus Pro Musica, Nash Petterson)
59./60.CD Chopin: Nocturnes (Arthur Rubinstein)
- Künstler:
- Leonard Warren, Jussi Björling, Zinka Milanov, Maureen Forrester, Giorgio Tozzi, Leontyne Price, David Poleri, Rosalind Elias, Cesare Valletti, Roberta Peters, Jan Peerce, Philip Maero, Robert Merrill, Jon Vickers, Leonie Rysanek, Tito Gobbi, Birgit Nilsson, Lili Chookasian, Carlo Bergonzi, Ezio Flagello, Henryk Szeryng, Julian Bream, Arthur Rubinstein, Byron Janis, Gary Graffman, Vladimir Horowitz, Jascha Heifetz, William Primrose, Gregor Piatigorsky, Van Cliburn, Robert Shaw Chorale, Boston Chorus Pro Musica, Juilliard String Quartet, Melos Ensemble, Symphony of the Air, Chicago Symphony Orchestra, Boston Symphony Orchestra, RCA Victor Symphony Orchestra, Orchestra del Teatro dell'Opera di Roma, Morton Gould and His Orchestra, Boston Pops Orchestra, Metropolitan Opera Orchestra, Robert Shaw Orchestra, Josef Krips, Fritz Reiner, Pierre Monteux, Kirill Kondrashin, Aaron Copland, Arthur Fiedler, Charles Munch, Erich Leinsdorf, Tullio Serafin, Alfred Nash Petterson
- Label:
- RCA
- UPC/EAN:
- 0888430035027
- Erscheinungstermin:
- 28.3.2014
Kein Name hat das Goldene Zeitalter der High-Fidelity entscheidender geprägt als RCA Victor Living Stereo, das Mitte der 50er Jahre von RCA entwickelt wurde. Durch den Sprung zu stereophoner Aufnahmetechnik sollte sich der Klang von klassischer Musik von Grund auf ändern. Living Stereo verband die großen Talente der Zeit - Heifetz, Cliburn, Price, Rubinstein, Fiedler und viele andere - mit einer revolutionären Technik und wurde von Kritikern und Publikum gleichermaßen als Gipfel der Audioleistung gefeiert.
Diese hochwertige und preisgünstige Edition präsentiert auf 60 CDs herausragende Aufnahmen dieser wegweisenden Epoche. Neben Rubinsteins Einspielungen aller Klavierkonzerten von Beethoven, Einspielungen von Fritz Reiner wie den Sinfonien 4 und 5 von Tschaikowsky oder den Sinfonien 1 und 9 von Beethoven gemeinsam mit dem Chicago Symphony Orchestra enthält die limitierte Sonderedition auch Operngesamteinspielungen wie Rossinis "Der Barbier von Sevilla", Verdis "Otello" oder Donizettis "Lucia di Lammermoor".
Through the decade following 1953, RCA Victor made a wondrous and substantial body of recordings which have come to be identified with their early stereo release label, Living Stereo. At the beginning of the widespread adoption of stereo audio in the home, Living Stereo offered a widely available range of quality music and performances in high quality sound. An impressive amount of these records offer music, performances and audio quality which are still top choices and in many cases, still definitive! In its recording philosophies, Living Stereo influenced many of the recordings made since. They were significant in terms of music and sound quality and represent an important part of audiophile history. On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Munch, in a performance of The Damnation of Faust by Hector Berlioz. This began a practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made by Toscanini and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner. Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49 / 50 omnidirectional microphones. Then they switched to an Ampex 300-3 one-half inch machine, running at 15 inches per second (which was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the logo ‘Living Stereo’.
Diese hochwertige und preisgünstige Edition präsentiert auf 60 CDs herausragende Aufnahmen dieser wegweisenden Epoche. Neben Rubinsteins Einspielungen aller Klavierkonzerten von Beethoven, Einspielungen von Fritz Reiner wie den Sinfonien 4 und 5 von Tschaikowsky oder den Sinfonien 1 und 9 von Beethoven gemeinsam mit dem Chicago Symphony Orchestra enthält die limitierte Sonderedition auch Operngesamteinspielungen wie Rossinis "Der Barbier von Sevilla", Verdis "Otello" oder Donizettis "Lucia di Lammermoor".
Product Information
Through the decade following 1953, RCA Victor made a wondrous and substantial body of recordings which have come to be identified with their early stereo release label, Living Stereo. At the beginning of the widespread adoption of stereo audio in the home, Living Stereo offered a widely available range of quality music and performances in high quality sound. An impressive amount of these records offer music, performances and audio quality which are still top choices and in many cases, still definitive! In its recording philosophies, Living Stereo influenced many of the recordings made since. They were significant in terms of music and sound quality and represent an important part of audiophile history. On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Munch, in a performance of The Damnation of Faust by Hector Berlioz. This began a practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made by Toscanini and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner. Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49 / 50 omnidirectional microphones. Then they switched to an Ampex 300-3 one-half inch machine, running at 15 inches per second (which was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the logo ‘Living Stereo’.
Rezensionen
„Über 40 Stunden dauert die prächtige Revue der RCA-Stars in exzellenter digitaler Stereo-Qualität. Und vom analogen Flair und sinnlichen Zauber der alten Dreikanal-Originale bleibt noch genügend übrig.“ (stereoplay, Juni 2014)-
Tracklisting
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Details
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Mitwirkende
Disk 1 von 1 (CD)
Concerto No. 1 for Piano and Orchestra, op. 15, in C - Remastered 1999
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1 Allegro con brio
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2 Largo
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3 Rondo: Allegro scherzando
