Johann Sebastian Bach: Philippe Herreweghe - Solo-Kantaten für Altus & Bass
Philippe Herreweghe - Solo-Kantaten für Altus & Bass
Mit weiteren Werken von:
Franz Tunder (1614-1667)
, Johann Kuhnau (1660-1722)
, Nicolaus Bruhns (1665-1697)
, Christoph Graupner (1683-1760)
Mitwirkende:
Andreas Scholl, Peter Kooy, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe
3
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Derzeit nicht erhältlich.
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-
Kantaten BWV 35 "Geist und Seele wird verwirret"; BWV 54 "Widerstehe doch der Sünde"; BWV 170 "Vergnügte Ruh"; BWV 56 "Ich will den Kreuzstab gerne tragen"; BWV 82 "Ich habe genug"; BWV 158 "Der Friede sei mit dir"
+Tunder: Dominus illuminatio mea; Wend ab deinen Zorn; Ein feste Burg ist unser Gott
+Kuhnau: Gott, sei mir gnädig nach deiner Güte
+Bruhns: Ich liege und schlafe
+Graupner: Herr, die Wasserströme erheben sich
- Künstler: Andreas Scholl, Peter Kooy, La Chapelle Royale, Collegium Vocale Gent, Philippe Herreweghe
- Label: harmonia mundi, DDD, 1990-2000
- Erscheinungstermin: 15.10.2010
Ähnliche Artikel
According to German theological tradition, which Bach knew very well, the alto voice was the very symbol of that of the Holy Ghost. These three solo cantatas do not contradict the rule, although we do not always know for whom Bach wrote them: it was neither a woman nor a castrato, so it could only be a falsetto or an extremely accomplished boy. These works demand enormous vocal virtuosity. Their extraordinary musical variety embraces sublime consolatory lullabies, a faithful echo of an organ concerto (BWV 170), and the dramatic qualities of an oratorio. (HMC 901644)
The cantatas for bass solo are based on episodes from the life of Christ (the healing of the lame man, the presentation in the temple, scenes from the Passion) with implications of the benevolence and consolation of death (HMC 901365)
These titles were released for the first time in 1991 (HMC 901365), 1998 (HMC 901644) and 2000 (HMC 901703).
The cantatas for bass solo are based on episodes from the life of Christ (the healing of the lame man, the presentation in the temple, scenes from the Passion) with implications of the benevolence and consolation of death (HMC 901365)
These titles were released for the first time in 1991 (HMC 901365), 1998 (HMC 901644) and 2000 (HMC 901703).
- Tracklisting
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
- 13 Track 13
- 14 Track 14
Disk 2
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
- 13 Track 13
- 14 Track 14
- 15 Track 15
Disk 3
- 1 Track 1
- 2 Track 2
- 3 Track 3
- 4 Track 4
- 5 Track 5
- 6 Track 6
- 7 Track 7
- 8 Track 8
- 9 Track 9
- 10 Track 10
- 11 Track 11
- 12 Track 12
- 13 Track 13
- 14 Track 14
- 15 Track 15
- 16 Track 16
- 17 Track 17
- 18 Track 18
- 19 Track 19
- 20 Track 20
- 21 Track 21
- 22 Track 22
- 23 Track 23
- 24 Track 24
- 25 Track 25
- 26 Track 26
- 27 Track 27
- 28 Track 28
- 29 Track 29
- 30 Track 30
- 31 Track 31
- 32 Track 32
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